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It's easier to play aggression and malevolence onscreen, often, than to hit softer notes.
Actors want to act; actors want to emote. It's like the emotional equivalent of tearing your shirt off and screaming to the heavens: you want to express, and you want to be seen to be expressing.
Sometimes I think being an actor is like being a dog for a director; it's like they throw a stick, and you want to fetch it and bring it back to them. You want a pat on the head for it.
I came out of high school, where my heroes were, like, Michael Jordan and a lot of local rugby players - and on the movie front, it was Arnold Schwarzenegger and Sylvester Stallone.
Whereas 'Avatar' and other movies get shocks out of their three-dimensionality, 'Gatsby' is going to be about inviting the audience into this larger-than-life drama, letting them almost be inside the room rather than looking at it through the window. I think it will really work.
Sometimes, what's not said is just as important to the writing as what is said. As a writer, we have our voices heard. I think that, at oftentimes, the ability to allow the dialogue to recede properly into the world of the film is also a really valid sort of way to be a writer, I think.
When you give your children certain life lessons, and they come and ask you for additional advice, you say to yourself, 'I've done my job,' and you'll continue to do your job.