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It's wonderful to play a villain who gets a laugh or to stop a comedy dead in its tracks with a touching moment. It's kind of like a symphony that has very different movements.
I tell young people, including my own kids, don't do this, it's too difficult. It's a career full of rejection, disappointment and failure. It's murderously hard on the ego. Don't become an actor.
Grown adults often tell me that they used to sit, as children with their parents, and watch '3rd Rock from the Sun,' and they would all enjoy it for completely different reasons. I think that's part of the magic of the show.
In TV and movies, you get known for a certain thing, and that's what's expected. Onstage, people are more open to whatever character you create from one play to the next.
If a film is about love, it tends to be about tortured love or discovering love or young love. It's not this wonderful kind of comfortable, old resilient love.
I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.
My sense of myself is that I'm a character actor, and character actors are ready, willing, and able to do anything, to be totally different from themselves. That's my job, to be ready. I'm some kind of first responder.