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I don't care about the size of the roles, or how they're marketed or billed or anything like that. I would love to be a part of stories that tell us about where we've come from, where we are, where we're going - with great directors.
I'm a kid that went to theater school. I thought I was going to be making my living doing plays regionally or in New York or on Broadway, and maybe if I got lucky I would do a movie here or there.
I don't know anybody who walks through life all the time in the doldrums, constantly serious and morose. But that's become what we generalize as drama.
We didn't get to see a lot of movies in my house growing up, so the first time I got to go to the movies - I think it was 'E.T.' - I was like, 'Oh my God, somebody else gets my imagination!'
There was so much going on in 1936 with the height of the Great Depression and the Spanish Civil War and Germany on the move and all of those things. There was a tension in the air.
When I was 8 years old, I asked my parents to get me head shots, and they were like, 'What are you talking about? Go outside and play!' I'm so glad they did.
I tend toward more adult fare, and I would love to do a voice in an animated film or something the boys could go see, but at a certain point, I made peace with myself about it.
I remember taking my brother's car out, pushing it down the driveway in neutral in the night, and going out joyriding with friends and getting flat tires and getting busted. My license was revoked by my dad. So, definitely, I was a kid. I was a teenage boy.