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In most films, when we act, we don't see such meanings in what we do. Rather, we don't realise it. Only when we see it as a continuous film later on do we realise such deep meanings. That is the brilliance of the director.
'Oppam' is more of a director's movie, especially because I play a visually-challenged hero in it. The character doesn't have a perspective, and so cameras aren't placed like how they are usually done in other movies. The angles and the way the scenes are captured are different.
I have been writing my blog for several years. Whenever I have written about pertinent subjects, no one has supported them. For instance, the stray dog menace. I cycle in the morning every day, and I am still scared of stray dog attacks.
There is no big problem in the Malayalam industry. You shouldn't think of the #MeToo as a movement, actually. It is a fad, and it is turning into something of a fashion. Anything like that will have a lifespan for a bit.
When I started acting, I did many films without even an idea of what the script was about. The film would start, and then we would discover what we were expected to do on the sets. Those days have changed.
When I was in school, I used to go to the Pangode army camp, a stone's throw away from where I was staying in Mudavanmugal in Poojapura, just to watch the army parade.
I never ever aspired for anything in life. I don't believe in planning or yearning for something very strongly. If something has to happen, it will happen.
Films are not meant to be watched only by fans but by everyone. Fans are those who like what we do. When we do things that only they like, then we are becoming their fans.