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I like listening to my playlist on the iPod. I don't want radio with commercials.
I volunteered at a homeless shelter in preparation for 'Being Flynn,' and when I'm walking along the Bowery, that's the first thing that comes to mind. That's a nice memory.
I really don't want to go to work every day convincing myself of what I'm saying. I want the material to make me a better actor; then I try to return the favor to the material.
I think the idea is to try and understand everything about the characters and where the character is coming from, from their point of view, why they say what they do. And not, 'Oh, but I would never say that. Why does the character say that?' But then making it as personal as possible.
In 'There Will Be Blood,' my character was someone who was an actor himself almost. He had a rehearsed quality about him. He was a performance artist in a way.
Films can be entertaining without shying away from exploring something. They can be magical and have fantasy, but also can have enough reality that you can be really emotionally invested.
People think memorizing lines is hard, when that's the last thing you worry about. You get that done, and then you've got to worry about the internal stuff, which is the challenging part.