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I think probably winning these things [an Oscar] can be a bit of a curse depending on who you are and how you think. But I haven't been on a journey to get anywhere in particular, so that hasn't changed. And my criteria for choosing projects hasn't changed.
The notion of fate and destiny is a very Greek concept. Working in the theater you do think a lot about that, because as a storyteller you do think, 'At what point was this always going to happen and what part have I got a hand in being able to change things?'
The notion of fate and destiny is a very Greek concept. Working in the theater you do think a lot about that, because as a storyteller you do think, 'At what point was this always going to happen and what part have I got a hand in being able to change things?'
I'm not interested in playing characters who see the world through my prism. I think the journey of understanding any character is to see how they tick and how they differ from you.
I think when you fall in love, whether you're heterosexual, transgender, gay, lesbian, whatever, straight, you feel like it's happening to you for the first time.
I don't have a sense of entitlement or that I deserve this. You'd be surprised at the lack of competition between nominees - I think a lot of it's imposed from the outside. Can I have my champagne now?
Things present themselves to you, and it's how you choose to deal with them that reveals who you are. We all say a lot of things, don't we, about who we are and how we think. But in the end it's your actions, how you respond to circumstance that reveals your character.