If you sit down with a person, or a watermelon for that matter, when you're stoned and sing into it, the quality of the hallucination is such that there is a way of thinking about it where you could say, 'This is an acoustical hologram of the interior of their body.'" I don't say that.I just say, "My goodness isn't it strange that I seem to be able to see inside of the watermelon when I'm doing this.'

One way to think about what psychedelics are is as catalysts for language development. They literally force the evolution of language. You cannot evolve faster than your language because the language defines the culture of meaning. So if there's a way to accelerate the evolution of language then this is real consciousness expansion and it's a permanent thing. The great legacies of the 60's are in attitudes and language. It boils down to doing your own thing, feeling the vibe, ego-trip, blowing your mind...

I think that a lot of people are making a lot of money spreading anxiety. Anxiety sells.

I discovered early in life a stunning truth that's made my life very complicated in its wake, but that I still think is true, and it's that people are very easy to love.

The thing that excites me about these informational technologies is I think we are going to be able to use virtual reality to show each other the insides of our own heads.

Clearly, what is happening, I think, is there is a kind of global emergence of a new mental order.

I think there's a shamanic temperament, which is a person who craves knowledge, knowledge in the Greek sense of gnosis. In other words, knowledge not of the sort where you subscribe to Scientific American, and it validates what you believe, but cosmologies constructed out of immediate experiences that are found to be always applicable.

This is where I think the psychedelics come in because they are anticipations of the future. They seem to channel information that is not strictly governed by the laws of normal causality. So that there really is a prophetic dimension, a glimpse of the potential of the far centuries of the future through these compounds.

I think that understanding man's place in nature is going to require integration of the psychedelic experience.

I really think that the psychedelic realm is the realm of ideas, and that ideas which change the world come first from that place.

I think what's really happening is that a dialogue opens up between the ego and these larger, more integrated parts of the psyche that are normally hidden from view.

The social consequence of the psychedelic experience is clear thinking -which trickles down as clear speech. Empowered speech.

I think our intelligence is a source of toxicity to nature and discomfort to ourselves unless our values are based on planetary values, are linked to the values of the rest of nature. Intelligence is not a license to trample. The proper role of intelligence in a planetary ecology is that of gardener, caregiver and maintainer of balance.

Ecstasy is a complex emotion containing elements of joy, fear, terror, triumph, surrender, and empathy. What has replaced our prehistoric understanding of this complex of ecstasy now is the word comfort, a tremendously bloodless notion. Drugs are not comfortable, and anyone who thinks they are comfortable or even escapist should not toy with drugs unless they’re willing to get their noses rubbed in their own stuff.

I think the world is growing more psychedelic every day. I'm completely hopeful. . . . This is how it should be. This is what it's like when a species prepares to depart for hyperspace.

People have a right to get stoned. They have a right to think and explore their own minds. This is as intimate a part of their being as their sexuality. Any culture which mitigates that is clearly afraid of a full and fair and open dialogue about what reality is and what real human values ought to be.

Here's how you know that you're really drunk: when you get into a taxi cab and you think the fare is the time.

I don't like littering and I think it leads to terrorist activities.

My advice is: to try and stay really true to the things that make YOU laugh, as opposed to trying to create a character that you think is funny. Some comedians get into bad habits when they are trying to create something that is not them, and they are trying to write a voice that isn't their true voice.

It's the worst feeling when you come home alone late at night and think the stranger sitting on your couch is a pile of clothes.

After you have loss in your life and after you experience something like losing your parents, the greatest gift of that was it prepared me for [anything]. Nothing else is as scary, and certainly stand-up comedy is not as scary as sitting there with your mom and having to have last conversations and things like that. It's heavy stuff, but it's enlightening because it makes me think I shouldn't be afraid of sharing ideas and thoughts with people. It's the yin and the yang of life.

I feel like people who don't brag are trying to make you jealous by thinking they're hiding something more even exciting.

Because of what I experienced when I was a kid, I want kids to have that kind of an epiphany moment, that little jolt, that little spark that they see when Dusty ['Planes'] flies higher than he has before. That scene where he flies straight up, and he's starting to get dizzy, and then finally it comes together. We forget as adults. We get jaded and we think that's kids' stuff, but for a kid who doesn't know about anything technical or how a movie is made, they're just going to see this and hear this beautiful score and see this dynamic, fantastical thing happening in front of them.

If my voice can resonate that way with kids, maybe it will resonate through 'Planes' as well, and they'll hear that little something that I'm giving to them, a performance that says to them, "I want to try." It's all interconnected. I don't think it's thinking too deeply about it.