“At the prompting of some stray instinct or chance association, you will invent delightful or fearsome circumstances, identifying them, with the most shameful doubleness, with the real ones...you will burst into passionate eloquence, or pant in the direst predicament, all for the fun of it, or by virtue of a terrible inner compulsion; and this dream which is byplay, or play which is a waking dream, will exhibit your brooding soul, if not always to moral advantage or with much coherence, at least in its unsuspected ingenuities of invention. What brilliant images, what subtle emotions, what dramatic turns in the argument of a dream, and in the make-believe of children! You seem to dictate and compose your fiction deliberately, rejecting, foreseeing, feeling the oncoming revolution towards which circumstances must be addressed.”
“To the uninitiated they have merely murmured, with a pitying smile and a wave of the hand: What! are you still troubled by that? Or if compelled to be so scholastic as to labour the point they have explained, as usual, that oneself cannot be the absolute because the idea of oneself, to arise, must be contrasted with other ideas. Therefore, you cannot well have the idea of a world in which nothing appears but the idea of yourself.”