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I read all kinds of novels, as long as they're good.
The first time my mom read my very first book, she was like, 'I'm not gonna belabor this. It's not a big deal. But I have to ask the question: Is everything okay?'
There's nothing that can drive me from zero to crazy faster than a man who comes up to me and says, 'You know, I don't normally read books by women, but I really liked 'Gone Girl.''
No one watches 'Taxi Driver' and says, 'Oh, it's a male-oriented film.' No one looks at nine-tenths of the films out there that are headlined by men and say, 'It's a male-oriented film.'
People focus on the darker female characters in my books, but for every one of those, I can also show you an equally screwed up man that no one ever comments about, or a nicer woman that no one comments about. I don't feel like that's my specialty.
The funny thing, I guess, is that my husband ended up being the muse of a book about the worst marriage in the world, because if he hadn't consistently said, 'Don't censor yourself, don't worry about me' - if he'd been anxious and worried about it - then it would never have gotten written.
My first job had me miscast as a bubbly shopgirl; I was pathologically shy and, thus, tended to replace human speech with excessive head gestures. It was like being waited on by Harpo Marx.
I am a great believer in jobs for teens. They teach important life lessons, build character, and inflict just the right amount of humiliation necessary for future success in the working world.
I was not always someone who wanted to get married or thought I would get married, so being a true writer, I was always navel-gazing: 'What are good marriages? What are bad marriages?'