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Having two kids, I don't get out to see stand up much anymore.
I don't think arrested-adolescent humor will fade. Maybe the form will change, but I guarantee its replacement will still be based in immature behavior from mature figures.
At 21, my career took a comedic turn when I was cast in a new Broadway play called 'Brooklyn Boy,' by Donald Margulies, which was equal parts funny and sad. I realized that the more seriously I expressed my character's feelings, the funnier the scene became.
More and more, people probably associate me in this world of comedy and these confident, brassy, big ladies, which I love, but my insides and who I feel like internally and the kind of work that I hope to continue doing feels very different from that.
I was playing a lot of bigger, sort-of-comedic characters in slightly heightened realities, and it had been so fun and fulfilling for a long time. But it got to a point where I just felt like I didn't have that in me anymore.