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It's been Bill for so long people think my name is William, but it's not, it's Mark.
There was something about stand-up that music wouldn't give me, which was my love of the spoken word and the mercurial tendency of language to respond to what happens to you.
In 1994 I was doing a two-hander with Sean Lock in Edinburgh and there were more people in the cast than the audience. It was pretty grim, quite a chastening experience.
I play the piano and that's how I learned about music. I then taught myself the guitar, drums, percussion and various other things, such as the bazooka, the mandolin, the Theremin, the alpine horn, the didgeridoo.
When you're a birder, you have all sorts of reference books, and you know about migratory patterns and technical stuff. Most people just look out the window, and say 'is that a pigeon?'
If you're going to perform, you're going to attract criticism. You can't please everyone all the time. You don't know how things are going to come out. But that's part of the fun of it, the adventure of doing any kind of art.
Twenty-two years I've been doing this comedy lark, so it's been like a meteoric rise to fame... if the meteor was being dragged by an arthritic donkey across a ploughed field, in northern Poland.
I think happiness really happens when you least expect it: it's when you're not really thinking about it, when you're not trying to achieve it, when you're not trying to get the perfect holiday, the perfect life, the perfect body, the perfect existence.
I'm one for new things: I like new technology, I like new music, I'm not entrenched in some view of what culture should be. I like the fact that it's constantly changing and that language is changing, that behaviour changes.