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I chose to be a maths teacher because I thought the marking would be easy. You'd just tick and cross, whereas if you're an English teacher, you've got to read essays. Then they said I had to analyse the methodology. It takes an eternity, it's insane!
There is a magical, unexplainable phenomenon that still occurs to this day where, however funny you think the material you've written is, as soon as you turn up to a gig to try it out, it becomes almost incoherent.
I have always told my family that I don't want my birthday to be celebrated and that they shouldn't get me anything, even though if they didn't I'd probably write a standup routine about it.
In the past, I have been guilty of returning from work with some parenting words of wisdom, ignoring the fact that my wife has been dealing with the situation for a while. The correct strategy at these times is to wind my mansplaining neck in.
New Year's resolutions have always been something to beat myself up with by the second week of January. It seems perverse to set yourself up for failure right at the start of the year.
Education seems to be placing increased emphasis on assessment and tracking, which means parents are terrified that if their kid doesn't exceed their expected learning level at six years old, they are immediately put in the class that ends up working at McDonald's.
I used to love the Wu-Tang Clan. They took my school by storm, by which I mean the three kids in my year who listened to hip-hop. I skipped lectures to go and buy their second album, 'Forever', and then rushed home to listen to it.
I've had a Hindu upbringing. There's a lot about it I think is cool. Temples are amazing. It's a nice vibe when people are praying. And there's lots about it where I understand why they believe those things. But I'm not practising.
What I also love about Lorrie Moore stories is they take me a long time to read. They're not easy for me because each sentence, I feel like, is so rich and dense, it just sends me off in a thousand directions.
I would like to see BoJack find some sort of peace. I don't know if happiness is the right word; I don't know if he deserves that... But I would like to think even a soul as lost as BoJack can somehow crawl his way toward redemption.
I always felt like the best comedy came out of sadness, and some of my favourite shows growing up - a lot of my influences - have these very sad characters and treat that sadness seriously while also being very funny.
It's much easier for me to think in terms of character movement and emotion and story rather than, 'What are some wacky hijinks we can throw together?'
I love to go on road trips. That's one thing I love about being in L.A. and having a car. In New York, you can get around on the subway but you can't really go anywhere. But there's a danger in believing that where you are defines you.
For me as an audience member, it makes the characters more relatable and interesting if they're evolving and changing - it makes them feel more real in a way. But not every cartoon is trying to be real.
I was doing this really wacky sketch comedy but at the same time writing these dark, cerebral plays about characters coming to grips with their loneliness and heartbreak. My dream job has always been a way to combine the two. I would say 'BoJack Horseman' is the culmination of all of that.