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It's such a risk to write a novel that it's easy to become conservative - you're spending what would be, for me, a couple of years of my life on a single idea. Which is maybe one of the reasons I write stories - if it doesn't work, you've only lost a month.
I was born in Ann Arbor. I lived for a while in Ohio; Pennsylvania, California for 10 years, and now in Boston. And I lived in Iowa for a couple of years, where I studied at the Writers Workshop.
Although I think I'm relatively happy as a person, I think there's something unhappy at the root of all my writing. I'd say optimistic but unhappy. Nothing that's particularly original, other than that we're going to live and die, and terrible things happen.
Doubt is the enemy of mania. It's trying to get aloft strung with weights. The moment I like writing is three sentences in, when somehow those weights drop away, and you can invent. I cannot tell you the dread I have.
I've discovered over the years that being subject to both the adoration and the vilification actually makes me more disciplined. It makes me understand that it's the idea of writing a great book that propels me now, whereas it used to be the idea of success.
Your first book is kind of a labor of ignorance. You don't realize the difficulty of it. Your second book is sort of a labor of fear. Then you sort of either hit a stride, or you don't.
Medicine involves dealing with people who are going through changes and cycles, often people trapped in bodies that are going out from under them. Spending time with them lets you think their way, gives you insights as a writer.