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A friend of mine suddenly announced she had written a novel and got a publishing deal; I thought, 'Hang on... if she can do it, I can bloody well do it, too.' That novel went to a bidding war, and went on to be a huge best-seller.
Twice a year, I take myself off to a self-imposed 'writer's retreat', staying at a small inn or on a friend's farm, where I am all alone and do nothing other than write.
I write in the mornings once the kids have gone to school, taking my laptop and a coffee to a little writer's room in town where I plant noise-cancelling headphones on my head and get to work.
By the time I sat down to write 'Family Pictures,' I hadn't written anything in almost two years, and writing, I have discovered, is a muscle: if it isn't exercised, it will atrophy.
I read so much about men who aren't what they seem, and particularly stories written by women who found out their husbands had a slew of secrets they knew nothing about.
Ten years ago, you wrote a book and you never expected to find out anything about the author. Now with social media, everyone wants that connection. I think our readers want to be invited into our lives and brought on the journey and be part of this whole process.
I left my job as a feature writer on a newspaper to write a book, then sent it off to a number of agents thinking they would all reject me. Within a week, most had come back to say they loved what they had read, which then led to a bidding war for my first two novels.
I think perhaps we all cook to feed some kind of hunger in ourselves. I am nourished by being surrounded by family and friends, by creating something delicious for them, by nurturing them.
I have a business manager and a book-keeper who deals with our household bills. My husband and I sit down with her for a weekly report on how much money is going out, but I'm not terribly interested, and I don't have the patience for it.
I had always presumed that my first book would be published, but I never dreamt that I would write 15 bestsellers and have this wonderful life in America that I have entirely built for myself.
When I first started writing, I was living in England and I had that uniquely English sense of sarcasm, which has definitely seemed to have left me. I am a naturalized American and my sensibility has become far more American.
I adore children, but I was never that interested in new born babies. It's a terrible thing to have to admit, and you're not supposed to think that way as a woman, but everyone promises it's different when you have your own. It wasn't for me, though.
I started to think about the assumptions we make that everyone we meet operates under the same moral code, and how betrayed we feel when that isn't the case.
As someone who is displaced - I left London almost fifteen years ago to make Connecticut my home - I am drawn to stories about people who don't belong, whether physically or emotionally, and who find their families of choice in their friends.
I learned that saying you love your friends isn't enough: that love is a verb - it requires Acts of Love. It is all about the doing, not the saying, and now I make a point, every day, of emailing or phoning or making a plan with those I love.
What I've come to learn with self-publishing is that if you want to provide readers with something of equal quality, it requires the same amount of time and expense.