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People said my records were 'funky' and 'muddy,' but the truth is they were just demos.
When Eric Clapton cut 'After Midnight,' he sold so many records and it was so big at the time, I decided that I would pursue the songwriting thing. I was 34 years old at that time. I'd been down the pike and back before I had any success at all.
Music is a kind of magical thing, and you can't make magic every time, but you try. Every once in a while it has that magic, and the audience knows that. I probably miss it more than I hit it, but I think that's what all musicians try for.
Reggaeton is what opened the doors for me, and I'm always grateful for that. I'll do reggaeton for life, but I want to show that I'm an artist who can do everything.
Part of what we did is change that misconception that reggaeton is machista and misogynist. On the contrary, women are our biggest fans, and they inspire us.
I want to take it really far in Spanish; even non-Spanish speakers listen to my music across the world. Even though they don't know what I'm saying, they really feel it. We want to take it to another level and keep building our name. We want to take it really far just in Spanish.
Basically, I just want to talk about love and how it can overcome boundaries. I want to discuss those more universal beliefs, not more politicized ideas.
I pay a lot of attention to the people I let surround me. I learn something from those people and from everyone - from other musicians, from people on the street.
To tell you the truth, I used an Instagram filter called Ginza to share a snippet of the song - I simply left the name in the caption in case anyone wanted to use the same filter. But everyone started calling the song 'Ginza.'