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I've been to Manchester enough to know it's a real place. It's not Factory Records and the Smiths bicycling around. I get it. It's a modern city.
When Andy Kaufman performed, he was not just trying to be funny. He was playing with the notion of what it means to try to be funny, of what it means to be an audience expecting somebody to be funny. He was doing a dance and playing a game.
The Fall was super powerful to me because of their covers. They were intimidating. I bought 'This Nation's Saving Grace' when it came out in 1985, and there was something about it that made me nervous. It terrified me.
Subway Symphony is a little idea I had to change the sound of the subway turnstiles into different pieces of music, depending on what station you're entering.
Titles are relatively arbitrary to me; they take on meanings that aren't really my meanings. 'Sound Of Silver' was just, like, I made the studio silver, and I wanted the record to sound 'more silver.'
To me, the band is like one of my homes, in fact. It's not like, 'I've got to get out of this band. I've got to go home.' This band is home in a lot of ways. It's my closest friends; it's a place where I really feel comfortable and happy.
I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.
Sound sounds are terrible in the city, but it's great to listen and to walk and listen to people talk to each other. There are birds. You hear spring. I like listening to the city.