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In the past, I had this open-door policy where everyone was invited. And that was awesome, but you end up releasing songs that you don't really like and justifying it in your head.
As anthropomorphic and surreal people have said my early writing was, to me it was really stock and almost banal in the sense that it was just description, the poetry of comparing: 'Your feet are like A, and your eyes like B.'
I can't tell you how many times I've had a friend tell me, in this tender and discreet voice, 'It's just you and me bro, and I want to tell you the truth: make a record of you and an acoustic guitar. Please. That's what everybody actually likes.' That's so funny to me.
I try to listen to as much as possible. I know some people really try to avoid music when they're writing and recording, but I am very inspired by so many different musicians, and I need to learn.
This is my definition of selling out: When you change what you do or do what you do as a reaction to someone else's expectations or lack of expectations.
My interested in Brazilian music stemmed from wanting to find a musical identity other than the salsa and meringue that I was inundated with in Venezuela as a child.
Of all my childhood books, 'The Giving Tree and Hope for the Flowers' really did change my early world, but after reading 'Momo' in my 30s, I thought, Ahhhhhh, this is the one book I wish I had read as a kid! Then reread at every subsequent chapter of my life.