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My view on Democrats is that they're fascists disguised as liberals, or liberal moderates. You're not allowed to say anything they don't agree with. You're not allowed to do anything.
My image is dark and sombre. It fits my personality. The problem I always had with the people in the Misfits was that it was a put-on. You wouldn't see those guys walking around like that.
But when you get to a song, not only do you have to do a vocal melody, you have to write words and not be redundant and make some semblance of a story.
If you're working with a producer like Rick Rubin or whatever, you sing each line probably 30 different ways. Each time, they're like, 'Can you try it this way? Can you try it that way?' That's each line in the song, for each song.
Back in the days, we had to work with a shoestring budget. We had a movie screen, and we'd show movie trailers on them, and then we'd rip through it and started playing. Now we have a little money to play with to do a cool stage set.
I hadn't done a photo cover in a while, and I decided to do a take on the 'Pin Ups' cover, but do it in skull face and have the girl in skull face. People seem to dig it.
I always want to do - take everything and take it to the next step. I don't want to just keep doing something the same ol' thing. Obviously, I could have wrote 'Mother' 20 times and made tons of money and be playing gigantic arenas and whatever, but that's not really what I want to do.
The Democratic party has gone so far to the left that people just can't relate to it anymore and the Republican party is trying to go totally to the right.
My opinion of covers is that unless you're going to change and take a cover in a new direction, it's gonna get put up against the old one, and you're gonna lose. It's like, which would you rather listen to? The Righteous Brothers' 'Loving Feeling' or Hall and Oates' 'Loving Feeling?'
I like albums. I like holding them, seeing what they're all about, you know? I like reading liner notes. Even if it's a CD, you're getting kind of an idea of what the band is coming from. Or what they want you to think they're coming from. I like that.
It's annoying when someone's in front of you driving ten miles an hour, and you're like, 'Okay, today,' and someone else is on the side of you, so you can't pass them, and when you finally do pass them and they are texting, the laser cannons just come out and disintegrate that car.