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Trying to write new music is definitely daunting, but I try not to overthink it.
I come from a songwriter background, so essentially with my music, I'm trying to make songs that will last a lifetime and although 'Fast Car' was a cover, it reflects what I'm trying to do.
The focus is on melody: If you get it right, and it connects to the mass audience, it doesn't matter if it's a studio album or played on the dance floor.
The one thing about Essex is that there's a lot of people there that are into their soul music. And I'm talking '80s and '70s soul music, that was a big part of my childhood, there was Al Green, Luther Vandross, Stevie Wonder, people like that.
I don't drink or party. There's literally no time for that. As soon as I finish a show, I go straight back to the hotel room, do emails, I sleep, that's it.
But generally I think I'm a good judge of character - you have to be as a DJ to read the crowds and understand their vibes. You can use that to suss out a lot of people.
The 'I Wanna Dance' hook actually came to me when I was in bed and just in that lucid moment between consciousness and sleep... I jumped out of bed and recorded a voice note of the vocal hook and I went into the studio the next day fully inspired.
I prank my manager. I tell him I've lost my passport, or I've lost my case, or I hide his case. He is so gullible, he is the most gullible person ever.
Before I hit any country I always do my research. I look at what's on the chart there, what's worked in the last few years. As a deejay, as a producer, that's when I get editing. I bring my own edits of tracks that are really cool and happening out there.
Abbey Road was actually one of the first studios I ever got the chance to go to. A friend of mine won a competition and got the chance to spend a day recording there - that's when I was around 15 - and I was the only one who could engineer out of all of us.