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I was always taught by punk to think for yourself and to question authority. That's what I've always tried to do.
You know, sexism in the punk scene - or just in rock and roll in general - is so easily demonstrated by the amount of women or queer people that you see on stage versus the amount of cis males that you see on stage.
I don't want to be just that transgender performer or that transgender musical artist. I want to create songs and art and have those be judged on their merit alone.
Musicians are kind of like pirates, you know? You have to be free to follow whatever your muse is, or wherever life is pulling you - especially if you aren't in, like, U2, and making millions and millions of dollars.
Any way that I can use my career or my platform to push along transgender visibility in the mainstream and society serves me on a personal level in that it will make day-to-day existence when I'm not doing this that much easier.
To me, the songs that I'm most thankful to have been a part of creating are the songs that are able to adapt and change over the years and that mean different things to you at different periods of time in your life.
Going on tour for 10 years straight and playing 200-plus shows a year, you can't ever come back from that mentally. You're twisted in a weird way where you need that in order to be a person still.
When I was fourteen years old, I got arrested for battering an officer and resisting arrest with violence. I was beat up by the cops and they charged me with that. There was no original arresting charge.
Any doctor will tell you a great treatment for depression is exercise, physical exertion, that it really ups the dopamine in your brain, so that's what a show is. I play a show and that's a high for me; I can ride that.
I grew up with a mother who always had every fashion magazine stacked up on the side of her bed. When I was really young, I'd lie in bed with her, and we'd look at the magazines.