I'm fortunate to have a baby girl who's super into everything that I say and do and really cooperative and just fun to be around. I couldn't imagine having a rebellious kid like me.

I recognize fans at every show.

Every time I perform, I always try to have that 'wow' factor.

I've never been a bandwagon Clevelander. I've been talking about Cleveland and holding up Cleveland since before we were champions.

I just keep getting inspired to believe that dreams come true and anything can happen, 'cause I've watched so many impossible things happen.

I would never think twice about marching next to my brother for an issue we both believe in.

I love surrealism.

I'm not that great of a speaker. I don't like watching my own interviews. I think I suck at talking, but one thing I can do is move my pen, and if that's how I gotta speak to my daughter, then let me do that.

They always say if you can make it in New York, you can make it anywhere, but I say that about Cleveland.

I want to keep the whole 'Lace Up' movement going. I want to take it national and international with a machine, a label.

I think I've watched and been around so many people that are of a high celebrity grade that I've attempted to soak in every kind of way to deal with fame.

I was really excited about 'Nerve' with Dave Franco and Emma Roberts.

I've become so much more comfortable divulging things I've never talked about before, honing in on certain relationships that everyone can relate to.

Fame is the weirdest thing ever.

I'm a kid from Ohio in an industry that drives people insane.

I was a huge punker growing up.

When I was running away, I didn't have somebody there to help me run away. All I had was DMX's voice or Eminem's voice or Tupac's voice.

As I was coming up, there was so much naysaying, there was so much doubt, whether it was from my peers or people in the industry.

I don't want my daughter to grow up and feel like she has to try that hard to get people to accept her.

I have Nineties music oozing out of my pores. What made rock & roll back then is that it was uncensored. It was raw and dark. Think of 'Something in the Way,' by Nirvana - he was telling everyone how he felt.

As soon as 'General Admission' came out, there was a whole new pain that hit me that was rougher than I could imagine.

I think, with music, I'm a lyricist who talks about real life things.

When you look a certain way, or you have a certain presence, people take someone else's word over yours.

I've never been comfortable with sharing anything: I was a single child.