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If I'm writing a song for Karen Harding, I know I can't impose what I want to say onto her. I literally have to get into her headspace and think, 'what does she want to say?' When it comes to my stuff, it's the same. What can I write that's true to me?
When I'm doing a session for another artist, it's a very scheduled thing, and it's kind of imperative that I write a song in that time. But if I'm trying to write a song for myself and I don't have an idea that day, I just can't force it.
We have a lot of black British men who are killing it: John Boyega, Stormzy, Anthony Joshua, Tinie Tempah, and Idris Elba, of course. I see them as people I really admire and that's empowering for me because it means I am not alone in this.
'Correct' is a song and an exercise for me where I've been able to reclaim who I am and the good that I've done when in real life sometimes I struggle with that.
In reality, my parents knew that I was a vegetable outside of music. They have fears, they know how tough and competitive it is, but they're happy that there are a lot of people backing me.
'Tongue' is literally just one piece of the puzzle. This album is something I've worked on over the course of my entire career and something I've been discovering myself in it.
I've been in situations where someone has told me that my video made them uncomfortable. This was a straight man, and I really don't want to have to worry about making him uncomfortable. I should really be worrying about my own comfort and me putting out the best art that I can.