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People that's in power - the central banks, these fiat currencies that are traded globally - they got influence over the messaging and the narrative in the media.
'Victory' is like, you won, so the question is, what? What did you win? I think that the songs go into that. It's just about reaching a place in myself.
We came up with TDE. As competitive as rap is, and as much as we're trying to exceed the standards we set for ourselves, we take their wins as our wins, too.
As is the case with most people in this game, I am driven by financial motives and creative motives; the question I had to answer is which motive I will give priority to?
As I got older, my pops tried to keep me involved with the culture by telling me the stories of the conflict between Ethiopia and Eritrea, how he came to America, and about our family back home, because all that side of my family - my aunties, grandparents - is in Africa.
L.A. hip-hop is so different; it's so diverse. Out here, it's, like, funk-inspired; it's, like, '70s-skating-rink-inspired at times. It's Zapp-and-Roger-inspired; it's house-party-era-inspired.
My experience with power, you can maintain it, or you get it taken from you. You get you some newfound power and go crazy, and it get taken from you quick.
I think that every artist - or anybody that's in business - could benefit from a direct-to-consumer strategy, so I think that that applies to us as artists and content creators, too.