Dating shows should exist for people who aren't straight. They're out there, there aren't enough of them. Whether you try and squeeze a format that already works into something else. I don't know.'

I want to feel sexy with the body I have.

When I was a bit younger, I loved Rufus Wainwright - just the fact that he existed.

I would love it if less bands were hetero.

So many queer people come out constantly for the rest of their lives, ya know? To the people they work with, to people in taxi cabs. Whatever it is, it isn't the one day.

When I meet gay kids and they know who we are, I remember that's amazing because literally every gay person in every gay story I knew growing up was doomed to die. There weren't any positive gay stories and it's incredible that has changed.

If you look at pop stars through the ages, we've had camp, glam popstars from the 80s - your George Michaels and what have you - but then people went back to the closet a bit, and became more homogenised and generic.

Blackpool is a hilarious place. It's kind of like the Las Vegas of the U.K. It's by the sea and there's a lot of casinos and resorts.

I can't play guitar well at all, so I had to learn that.

The word queer first started being used in the late 1980s by members of the community who wanted to reclaim something negative and turn it into a positive. It's still a painful word for some, and lots of people don't identify with it. But for me it's a helpful and empowering term that unifies an ever-growing community.

Pop music has a pretty good track record of embracing queer culture.

Everyone has a different definition of what they find sexy, so why do we so often get given one version of what sexy is time and time again?

Most of the pop videos I've seen that have any male/female interaction are usually centered around a romance - and that's great, I am all for romance. But let's face it, there are a lot of other sexualities and identities that are well-deserving of some shiny pop video love.

We are traumatized by growing up in a world that doesn't really accept us. Obviously, we've made great leaps and bounds, but I think there's a tendency to force a narrative onto queer people that once you come out... you have to be really happy and really successful and proud all the time.

Well, I moved around quite a lot so I was born in Yorkshire and then I moved to Blackpool, which is like North England.

I get trolled. The usual stuff - sometimes it's homophobic, like gay hate.

I don't know if there's ever a point where you go, 'Oh, I'm successful now. Look at all this great stuff I've done,' because I don't think it can be tangible in that way.

I've been writing a lot of songs about my personal life and identity. That can be a real healing process.

I've done bits of writing for other people but when I'm writing music as Years & Years, I'm using my life and my stories and my experiences. I want it to be authentic and real but also to work as a pop song - I never want to just put in a cheesy line.

There was just this stage where I realised that people were listening to what I was saying and I could actually say something I believe in and, like... why wasn't I doing that? It's not because I think I have a responsibility as a pop star or whatever; it's because I think I have a responsibility as a human being.

For a long time - when we first started getting a much higher level of attention - I really struggled with feeling like I was letting people down. Because when you do a show, there are, like, a hundred fans waiting to see you afterwards, and sometimes you can't see them.

The first artist I really loved was Stevie Wonder. That opened the doors to other soul singers like Ray Charles and Aretha Franklin.

I think music can be therapeutic and a really positive thing, but that seeing a therapist is the best form of therapy you can get.

I just listen to true-crime podcasts, do some weights and pretend I know what I'm doing.