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I wasn't raised with money, so I had to get used to having it. I think I've adjusted to it pretty well.
I haven't turned into some rich monster. I've kept my perspective. But I am a bit spoiled. It's hard not to be a little spoiled by having a lot of money.
I wouldn't think a blues album would be that commercially successful, but I don't really care. I'd do it for the love of blues, not for the money. I've got plenty of money.
The old Fleetwood Mac was much better; they did some beautiful and, to my mind, very authentic blues. Chicken Shack did pretty well in Europe, but after I left, it was over.
It really comes down to Mick. He's the one who was constantly trying to get these five people in one room together. This is his love, his baby. It's his band, and there's nothing more he loves to do than get up on stage and play with us.
There's a whole bunch of unfinished stuff. Then I've got books of lyrics. I find it frustrating to finish a song and not be able to record it... so I don't write a million songs.
There were a lot of bad feelings when Lindsey first left the band. But there's been a lot of healing going on, growing up, maturing. The bond is a great deal stronger than what we first thought.
When I was young, I took classical ballet lessons, but I wasn't very good at it. It was really frustrating because I wanted to be good at it. When I stopped having lessons, I began to dance and improvise, and I felt more comfortable.