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I'm going to make country records back to back for a while - until country radio doesn't want me anymore or until I get my own theater in Branson - one of the two.
I grew up in South Carolina. A lot of what I remember back in the day is AM radio. When I was a kid, you could hear Stevie Wonder and Buck Owens on the same station. All the walls and lines between music were taken down for me.
I'm used to being the only black guy. I've seriously walked onstage, looked out in the audience, 15,000 people - and I'm the only one in the place. It's no big deal. My whole career's been like that.
When I'm singing a song, I'm in that song, and I'm thinking about what emotions I should bring to the song. Voicing a character was very similar. It was high energy, and I had to really think about the emotion of what was going on in the scene.
I always say, no matter what happens to me as a black man in country music, I can handle it if Charley Pride could handle all the stuff he went through.
What I love about each album is the opportunity to expand on what we've done in the past - to push myself and the band creatively, vocally, and lyrically.
It seems that with other kind of music, they are looking for the next big thing, but with country music, they might be looking for that, but they also want to have that warm blanket that helped them through that relationship or that singer they have always loved.
If it wasn't for Kenny Rogers, I don't think I would be in country music. He was that guy when I was a kid - his music and 'Hee Haw' made me perk my ears up and made me say, 'What is this? I want to hear more of that.' He was that catalyst for me to start this whole run in country music.