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I don't have room in my mind to think about musical equipment.
In the beginning, because of the Pavement thing, we were able to sell a certain amount of records. We were able to sell not such a great amount of records, but enough to live on. So there was no incentive to do what didn't come naturally.
I made records for 20 years, I lived off it. But people would say I made so many mistakes, I did so many things you're not supposed to do. I had a band name nobody could say. I didn't play live. I never practiced, I never got better at my instrument.
Everything I write goes through a lot of drafts. A hundred rewrites is not unusual for me to go through - the last fifty maybe just going back and forth on a single line or word selection.
When you can't see you become very timid about space and moving. You become less aggressive and less tenacious. Lots of things that shouldn't be affected by vision really are. And you don't even know what they are until they become unstuck.
I am not only neither Christian nor Jewish, but said to be in between, and I feel the same way about being from the South and being from the North. I write with my left hand but I throw a ball with my right hand.
The rules changed for art around 1989. We were all loosed upon the canon to clip and paste and borrow and update. Only thing is, unless you were in New York or in a cultural studies program, that new paradigm probably wasn't going to sink in until the Internet arrived.
Little Wooster, Ohio and gargantuan Dallas, Texas formed the municipal cocktail of my life up till age 18. That drab, weird little town and the glitzy big one shaped me for sure.
When I was seven my parents divorced. My father went to Dallas. My mom fled to the shelter of my grandparents in a strange central Ohio town of 22,000, Wooster. When it looked like I was growing up to be a wimp I was forced to live with my father, which I did not want to do.