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You know, rock n' roll's an old carcass: it's one big cliche. It's so difficult to do anything that has any sense of freshness or vitality or meaning. But that's what I'm trying to do, to give it new meaning.
Even if you're not releasing songs, the act of creativity is important. That's the part I love, when you're in the moment. The rest of it I'm not particularly interested in at all.
It's difficult to be the spokesperson for something that internally is falling apart. That's a tremendous amount of pressure to put on one person, to be the guy who gives all the quotes, all the interviews.
I don't want to be responsible for messing up someone. I don't want to be responsible for that, because the things that happened in The Verve, it was heavy stuff. It was real. It wasn't just frivolous nonsense, you know what I mean? There was real people's lives.
Technology means the kind of music you can make on your own if you've got an imagination is amazing. It's crazy that I can sit with a Mac and a keyboard and a mic and create a symphony.
I love sportsmen's spirit, their ability to come back and override negativity. Michael Owen has been written off so many times, but he will always prove the doubters wrong.
Ultimately, if someone's paying hard-earned money to see me play live, they don't want a rant about what's happening on the other side of the world. They don't want to know which way they should vote.
I'm very lucky that I can walk on the stage before anyone in the world. And that's the thing: you've got to be pretty confident to go on after me. You've got to have the artillery, as I call it. And the artillery is your songs.
At The Verve's first-ever gig, I said that we were gonna blow this local band off the stage. It was only in the local Wigan paper, and they rang me to ask why I was being so aggressive. I just went, 'Hey man, it's like boxing. I'm just trying to sell a ticket.'
Hearing 'This Is How It Feels' on the radio was an amazing feeling, like starting again. But I believe that, in the end, my name will be bigger then the Verve because of all those great tunes and the power of what I stand for.
There's a track called 'Why Not Nothing' about how the world's turning so conservative and so religious at the same time. I think it's up to the songwriters to give another side to the coin, and my music does that.
Obviously, aging has a certain amount of mellowing process because there's certain things you realise you were doing when you were younger that were plain ridiculous, stupid.
I've always felt like an outsider in this industry, but that sense of community - that sense of belonging with your fans - it's an amazing feeling, and it's really inspiring.
A classic song is timeless. You'll never outlive a classic song. I'll never put The Beatles 'In My Life' on one day and say, 'That doesnt move me any more.'