Many writers from the suburbs of history, such as Ireland and Argentina, produced more original work than their counterparts in the United States; they still seem to.

In a democratic age, you can't buck demography - except through civil war.

After the oil crisis of 1973, many European countries tightened restrictions on immigrants. By then, millions of Muslims had decided to settle in Europe, preferring the social segregation and racial discrimination they found in the West to political and economic turmoil at home.

Ordinary Muslims in Europe, who suffer from the demoralisation caused by living as perennial objects of suspicion and contempt, are far from thinking of themselves as a politically powerful, or even cohesive, community, not to speak of conquerors of Europe.

Many Indians and Israelis seem set to elect, with untroubled consciences, those who speak the language of torturers and terrorists. More disturbingly, these corrupted democracies may increasingly prove the norm rather than the exception.

In December 2004, I travelled on the road from Uzbekistan across the Oxus River on which the first Soviet convoys had rolled into Afghanistan 25 years before.

It's strange to recall that America animated none of my youthful daydreams. I did not see a Hollywood film until my late teens.

Britain's unique success as an industrialised nation-state prompted strong imitative endeavours not only across Europe, but also in Asia. Now many people, who were once humiliated into a sense of nationality by British rule, loom larger than their former masters.

Though there are laws against blasphemy and insult to religion in many European countries, France has institutionalised its anti-clerical past by proscribing religion from public life.

Governments everywhere that are unable to guarantee equitable growth and social welfare have suffered a fatal decay of legitimacy.

I did not become an actor to earn money - that I could have done it in my village by becoming a farmer. I wanted to show my craft, which I am so passionate about.

Anurag Kashyap is someone whose projects I can take without even hearing the story.

An actor must read a lot. Books not only make one a good actor but also a better human being.

I think reading and travelling not only make us good artistes but also broaden our horizons and open our mind. It really helps us to become a good human being.

I admire many actors, including Amitabh Bacchhan, Nawazuddin Siddiqui, Irfan Khan, and many more.

People can forget your name, but if you excel at what you do, at least someone will remember you.

In life, we have two segments: arts and science. We need science to make our lives easier. But what do we live for? We enjoy life through arts. So it's an artistes duty to question the wrongs happening in the society.

Not everyone can handle success, but look at Rajinikanth. His films release all over India, his fans worship him and what not. But when I first met him, I felt like he is one of us.

Survival is important, art is secondary. If you aren't alive, how can you create art?

I am still a villager who fell in love with acting.

Commercial films give you a wide exposure. For 'Dilwale,' I got calls from countries like Oman. Its reach is huge. Similarly, doing independent projects satisfy the actor in you.

In 'Stree,' I play a character who believes that he knows everything. And I play a cop in 'Drive.' It is a different kind of a role. It is not a uniform-wearing character. The film is interesting, since it is a thriller.

I come from the family of farmers. I am a son of a farmer.

One mistake and all this attention may just disappear one fine day. So I prefer to remain grounded.

Sharan is a very talented director, well versed with his craft.

My father wanted me to become a doctor.

Cinema is not just a medium of entertainment. Yes, it should entertain, but cinema is made to convey a message, to say something.

I had never imagined that after coming to Mumbai that, as an actor, my dates would be booked in six-eight months in advance.

When a man is extremely lonely, he starts discovering himself.

We used to live in a rented house in Mumbai, and now we live in our own house. That, for me, is success.

I have nothing against smaller roles; they made me what I am today. But, progression is the way of life.

It was Sultan Qureshi, the character of 'Gangs of Wasseypur,' which brought success as a baddie, but it were the TC and teacher's roles in 'Masaan' and 'Nil Battey Sannata' that broke the villain's mould and helped me successfully explore the other shades - be it comedy, intense, or serious - surprising the audience all the time.

I didn't get much time in between wrapping up 'Shakeela' and commence the shoot for 'Kaagaz.' With whatever time I had on my hands, I did my best to look the part. Instead of hitting the gym, I took up an organic approach to lose weight. I also cut down on oily and junk food and had small meals in between shoots.

In a democracy, voting is a huge and most important right of a common man.

Whatever changes a common man wants to bring in the country, he can bring it through the process of voting.

My wife used to work as a teacher and support me, and now I can do something for her, which is very satisfying for me.

I don't want to be in a situation again where I am sitting on a set, wondering why I am there and why I am doing the film.

Our Bollywood industry works in such a way that when an actor is seen in a gangster's role, he is offered similar roles.

I used to work in a hotel kitchen at night and do theatre in the morning. After finishing my night shift - I did it for two years - I used to come back and sleep for five hours and then do theatre from 2-7 P.M. and then again hotel work from 11-7 in the morning.

I want to do different roles.

Before trying my hand at acting, I use to cultivate my own land with my father.

Failures don't bother me much, nor do I let success go to my head.

For any creative person, along with learning, unlearning is also important.

Critics matter to me a lot.

I have been in the industry for many years now, but people still come up to me and say, 'Sir, you're such a good actor. We loved watching you in that movie. What's your name?' While any other actor might get offended, I don't mind this at all.

I was offered 10 Sultan Qureshi-type roles after 'Gangs of Wasseypur.' But I did not want to repeat that, as I have little fear of being rejected by the people.

I had never thought that so many people would know me, will talk about me, and most of all, I will be given a National Award.

'Newton' is a black comedy, a social satire. Amit Masurkar is directing the movie, and Drishyam films is producing. Rajkummar Rao is in the movie. I am playing a very important character. It is a very interesting project.

'Masaan' was a small role, but people connected with it. I loved playing a man who does not have many complexities in life. I was inspired by my father for this role. You find such characters in novel or in stories. You don't find such parts in movies where characters are either good, bad, or grey.

I am happy with my career.