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I know how terrifying L.A. can be, because I've been there as a failure. After 'Drive,' it was the most marvellous place in the universe.
Beauty is like a new class system. The world is so obsessed with beauty; it has been for the last 2,000 years. It's the one stock that's never gone down, the one stock that's never gone out of fashion.
There are wonderful artists who deal in the fashion world only, and you see by their creations that they are changing our understanding of sexuality and freedom and gender-bending.
We live in a time where it's very much in vogue, constant search for pure utopian equality, and which, on one level, is quite amusingly silly but also on another probably very important.
Coming to Hollywood, you always hear the horror stories, but I had good people around me who maybe didn't understand what I was doing but always protected me.
Every film that you make has to have a scene that is the heart that blood flows through in every other scene. That scene doesn't always have to be in the beginning of the film. But it can also be at the end, or in the middle, and that can sometimes make the film more effective.
Art has the power to influence and to make you react to something that you normally wouldn't concern, worry, or even think about or wouldn't want to talk about.
I started buying films a couple of years ago. The first film-maker I began to obsessively collect was Andy Milligan. He was a New York frustrated artist.
Denmark is like a Sylvanian world, but one thing it breeds is malady. The malady is generally in good taste. Opinions are correct. That is the chief enemy of creativity.
The only thing that would really make my mother angry would be if I liked horror movies or violence or Ronald Reagan. And very violent films were a way for me to rebel. You have to rebel against your parents.
I'm a huge John Hughes fan, and I grew up in the '80s, when his films came out. So, my introduction to what you'd call 'cinema love,' that illusion of love, was 'Sixteen Candles' and Molly Ringwald.
I've always worked a lot with silence in my films. It forces the audience to concentrate on what they're seeing, because silence is pure emotions. It has no logic; it goes straight to the heart.
I love to be on location. I love to be in other parts of the world. I love to be where I'm reminded about real, you know, emotions. I love to touch things and design things, and I think that, for the actor, it certainly - it certainly helps their performance.