They're the last human beings susceptible to human shame. Politicians are the only people left for whom, occasionally, shame hurts them. Everyone else, we've sort of done away with it as a concept, and we're hurtling through space like animals, basically.

I worked on one speech about the financial system that caused the Dow to drop, like, 200 points.

Regardless of how lyrical or rhetorically gifted they are in conveying big ideas, any candidate can do a good job of giving a speech if the goal of a speech is more than just delivering it well but achieving some end, whether it's convincing people of some issue or persuading them about you as a person.

It's a reasonable thing to tell somebody, 'I've watched 70 hours of 'Game of Thrones.'' That's a totally normal, boring thing to say about yourself. But if you were like, 'I just spent 100 hours playing 'Skyrim,'' people think you're a weirdo.

A boring speech can be just a boring speech. But a speech with a joke that falls flat is awful. I hate it. That's why I think it's easier to hate a comedy. If a drama doesn't land, it's boring; if a joke doesn't land - you hate that.

So often on CNN, there's a world-class journalist interviewing campaign rejects and ideologues and silly, craven people who do not care about informing people, that aren't there to help people understand what's going on in the news.

We need people to point out groupthink - We need people to point out stale, old, dumb thinking - and we sometimes need to do that when it's considered dangerous, strange, or, by some, offensive. And we should be, all of us, trying to protect that. It's really important.

I don't live in the city of L.A. I live in West Hollywood.

When I was a kid, all I knew about Michael Jackson was that he was crazy. He had a monkey named Bubbles and some kind of oxygen chamber, and he used to be black, but he made himself white, and he was nuts. That was Michael Jackson in full. Wacko Jacko.

We need to stop telling each other to shut up. We need to get comfortable with the reality that no one is going to shut up.

Part of my job as a presidential speechwriter (along with great writers like Jon Favreau and David Axelrod) was finding that sliver where 'presidential' and 'actually funny' overlap.

The one thing I didn't want to do was a show about the White House. I was too close to it.

When a joke works, it works. It can make a point in a really simple way; it can be a great little sound bite to put on television or share on social media. Humor has this incredible power in how we communicate about politics now, in part because there's something natural in the way it's communicated.

I went into politics for the reasons most people do: ambition, self-righteousness, and a desire to help others.

Sometimes you're going to be inexperienced, naive, untested, and totally right. And then, in those moments, you have to make a choice: is this a time to speak up, or hang back?

I'm not insulting Trump supporters; I'm calling the people that CNN puts on television terrible representatives of the views of conservatives.

It is extremely chilling that Donald Trump views the spectacle of choosing cabinet appointments in a way that is similar to deciding whether or not to fire Lil Jon or Joan Rivers.

There are a lot of heartbroken, anxious people that thought better of their country. We're heartbroken by how far Trump has gotten to the most powerful position in the world.

It was awesome how supportive the White House was. It meant a lot to me that when I left, the people that I worked with - Jon Favreau and David Axelrod and others - really understood that this was something that I felt I held had to do.

It doesn't matter what the early votes look like. It doesn't matter what the polls look like. We can lose everything.

Barack Obama took office in the middle of a massive financial crisis. He was handed a bunch of messes all around the world and at home.

Whenever you're talking about using humor in politics or in a policy speech or in a serious moment, you're talking about using it as a tool to engage people. That's why putting a joke in a political speech is a luxury, and it is always a risk.

As a rule, I think people in L.A. are interested in any writer who brings a different skill set and experiences. There's an attraction to novelty and to anyone whose writing isn't based in screenwriting. I had that novelty.

Trump is a raptor testing the fences, and he found weaknesses to escape and try things that would work, every single day.

We are drowning in information.

The great thing about writing jokes for President Obama is that he is not afraid to tell jokes that are actually funny - and not just funny for a politician.

'Veep' is a great satire of democracy.

There is that definition of leadership that says, 'Leadership is convincing people to do things that they otherwise wouldn't have done because you've made them believe it's the right thing to do.' And a great speech can do that.

One of the lessons of 2016 is to spend less time worrying about what will happen and more time worrying about what we want to happen.

We have a lot of really boring, silly, stupid politics. We need people to point that out.

Washington is filled with people making other people's arguments for money.

More and more people support equality for their gay friends and neighbors, and that is not because the 'Duck Dynasty' guy almost lost his show.

Life tests our willingness, in ways large and small, to tell the truth.

One of the hardest lessons of childhood is reckoning with the instability of the world.

The Internet didn't cause Donald Trump, and it certainly can't solve Donald Trump.

We don't want people to be afraid of saying something interesting on the off chance it's taken the wrong way.

Everybody hates Congress; even Congress hates Congress.

Humor connects us, especially in politics. It's a way of surprising one another with shared context and experience.

A great speech can make you remember something about what you believe, about who you are, about who you want to be. It's rare when that kind of thing happens. But it is important, and it is real.

Because the speech is an argument, and a great speech makes an argument well, the act of making that argument is a really important part of how the policy process coalesces and solidifies both for the candidate and also the people serving that candidate.

Republicans paint everything that Democrats have been for as socialism, too far to the left, as extreme, and it didn't matter how moderated it was; it didn't matter that Obamacare started out as a compromise. You might as well say what you're actually for and show what you really are.

I had a really fun career in TV right after I left politics.

The conversation on Twitter and the way people are in the world are very different.

I am a deeply awkward person; I am not cool.

It's so unfair that Barack Obama, this cool, charming guy, also has good comedic timing.

I don't know the venture fund terms. I don't know what a seed round is. I want nothing to do with it.

People say that making money in the content-media game is hard, and that is just, like, not my experience. It's super-confusing, 'cause everyone's like, 'Oh, how are you going to monetize?' It's easy: just start talking, and then money rolls in.

You look at what animates Democratic voters; you look at what animates Democratic politicians: it's health care. It's increasingly climate. It is wages and economic issues. It's issues around reproductive freedom and criminal justice reform and inequality.

We've been dealing with censorship around multimedia, about multinational companies and the content they create, for a very long time.

Every technology company should have a red button somewhere in the headquarters where, if they realize they've caused more societal harm than they expected and done more harm than good, they press the button, and the company dissolves instantly.