Any role that big is going to be a challenge for any actor, but for an actor of a young age, it's going to be even tougher.

I can see how a relationship with a writer would be an easy thing.

You know, I thought we could use a good myth about technology to help guide us through these particular modern waters right now.

Well, when we made 'Tron' there was no internet, no cellphones.

Myths are wonderful tools that we've had, oh, for eons now that help us navigate the situations we find ourselves in.

The hoopla with all the award season is kind of mind-boggling. It kind of puts you on your heels.

Basically, one of the hardest things about being an actor is getting your first break. I'm a product of nepotism. The doors were open to me. I'd done several movies before I decided what I wanted to do.

My M.O. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that.

Often, when I finish a film, I'll have that feeling inside me: 'I never want to do this ever again. I don't want to pretend anymore. I want to be myself and do that.'

My mother and my father were very nurturing and wonderful examples of how to live your life. I really had a cool foundation.

Unlike a lot of actors, my father encouraged all his kids to go into show business. He loved it so much.

Making a film, it uses a certain... 'pretend-muscle,' I don't know what you want to call it. It exhausts something in me, I find. It has to be really something to get me interested.

Grace is what matters in anything - especially life, especially growth, tragedy, pain, love, death. That's a quality that I admire very greatly. It keeps you from reaching out for the gun too quickly. It keeps you from destroying things too foolishly. It sort of keeps you alive.

I'm actually the son of Mary Guibert. My mother was born in the Panama Canal zone and came to America when she was five with my grandmother and grandfather, and that was the family I knew. Everybody sang; everybody had songs all the time, and they loved music.

All flowers in time bend towards the sun, I know you say there's no one for you, But here is one.

I'm lying in my bed, blanket is warm, this body will never keep me safe from harm. I still feel your hair, black ribbons of coal. Touch my skin to keep me whole. If only you'd come back to me. To feel you at my side, wouldn't need no Mojo Pin to keep me satisfied.

I want to be ripped apart by music. I want it to be something that feeds and replenishes, or that totally sucks the life out of you. I want to be dashed against the rocks.

Sensitivity isn't being wimpy. It's about being so painfully aware that a flea landing on a dog is like a sonic boom. I enjoy a lot of mystery.

People have a certain perfection about them, no matter who they are. Like when Janis Joplin sang. Gorgeous!

Words are really beautiful, but they're limited. Words are very male, very structured. But the voice is the netherworld, the darkness, where there's nothing to hang onto. The voice comes from a part of you that just knows and expresses and is.

She's a tear that hangs inside my soul forever.

Maybe I'm too young to keep good love from going wrong, but tonight you're on my mind, so you never know.

I don't really need to be remembered. I hope the music's remembered.

Certain emotions just take you to the notes - being furious, heroic, sad, erotic, when rain comes.

You can tell everything from the eyes.

I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.

I like a spirituality with a God that knows how to drive a car, that knows how to take his girl to the dance club, dance all night, have a little drink, kiss the kid when they come back in and go to sleep. God doesn't need a chauffeur - he needs to drive himself.

They will accuse me of stealing from my father. They already stand in baited judgement, waiting for my first move, waiting to dump their loads of garbage on me.

Kiss me out of desire, but not consolation.

Words are beautiful but restricted. They're very masculine, with a compact frame. But voice is over the dark, the place where there's nothing to hang on: it comes from a part of yourself that simply knows, expresses itself, and is.

I just want to be a guy with a guitar.

Critics... They're like traffic cops. They say what they have to say, then leave, and another guy moves in ,and he has his say - and it's often just the opposite. The result is either critical acclaim or critical murder, and neither has any bearing on my music or direction.

I'm always writing and reflecting on life. I want to suck it all in.

I am very observant of people's character.

The most audacious thing I could possibly state in this day and age is that life is worth living. It's worth being bashed against. It's worth getting scarred by. It's worth pouring yourself over every one of its coals.

I'm concerned with the future. I'm concerned with my life, my present, my friends, people I love, people who love me. I have no intention of taking on a legacy that wasn't bestowed on me.

You can't be, like, smashing guitars against Marshall stacks all the time. As a matter of fact, after a while, it just looks like posing - it never really gets down to any message or any real expression.

My personal aesthetic is to be affected directly by everything about what you're seeing... I don't mind being dashed on the rocks... My most base act of defiance is to live a long time and still rock.

Maybe someday, I'll just make, like, a complete on-demand record that everybody wants to hear. But that would be impossible and, also, I just changed my mind. I don't think I'll ever do that.

I have a lot of my mother in me, but I was just born with the same parts as my father. I don't sound like him. I mean, I can do an impression of him right now, and I do not sound like him. I sound like me. My sense of rhythm I learned from my mother. My melodies, I think sometimes, I get from my mother.

A tune has to resonate with whatever is happening around it.

There are thousands of great artists that wouldn't be doing the same kind of work if there were no music business machine. The ones who are popular would be doing much different work, too. Michael Bolton would be pumping gas.

The people who raised me musically are my mother, who is a classically trained pianist, and my stepfather.

Life's too short and too complicated for people behind desks, people behind masks to be ruining other people's lives, initiating force against other people's lives on the basis of their income, their color, their class, their religious beliefs, whatever.

I don't choose the songs; the songs choose me.

Music was like my first real toy. I was an only child for a while, and I was alone a lot of the time - and I liked it. I still like being alone.

I don't see myself in an ivory tower.

Thinking so hard on her soft eyes and memories of the signs that it's over. It's over.

I just think too much sometimes.

To young to hold on and to old to just break free and run.