Part of what motivated my writing was anger. I was angry that the daily misery of doctors, nurses, and patients was being trivialised into soap opera. We were made to feel bad because we were not perfect like our television counterparts. We were resentful that our patients did not get better as quickly as they did on telly - or at all.
If you look at American medical fiction written by doctors, like 'The House of God' by Samuel Shem and 'The Blood of Strangers' by Frank Huyler, both have themes of cynicism and dysfunction running through them that you won't find in 'ER.' You find it in 'Scrubs,' but because that's a comedy, it gets away with it.
As far as the lack of hits goes, I think perhaps it's because I've played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.
There is one particular argument that I call our 'ancient war.' If it could be summed up in one phrase, it would be, 'You don't get it. You don't understand what it's like to be me living with you.' There is such truth in that statement. None of us can really appreciate what it is like to be the other person, what that point of view feels like.