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I'm half Hawaiian and the haka is a very sacred thing, something your family teaches you - my father taught me.
If you're in a small town somewhere and you can go and visit Paris, you can go to the top of Everest, that's just cool. It's worth it because you become more educated in something.
The reason why I wanted to direct is because there are personal stories that I want to tell, but also because I love every part of movie making - from the wardrobe to the set decoration to cinematography.
I couldn't get a job to save my life. That's why I wrote 'Road to Paloma.' That got into Sundance and got into that scene, and that's how I got the role in 'The Red Road.'
I'm just gonna make art myself. I have a lot of ideas of things I wanna do and really talented people and friends I'm around, so we decided to make our own thing and set out to do it.
There's a lot of things I would definitely go to bat for in Hawaii. I've been all over that stuff. If someone told me to be quiet about that because of my profession, no. That's my people.
I've led a career of having to take work to see my family, over picking and choosing, instead of 'I need food on the table and I don't know how I'm going to pay the mortgage.'
Both my parents are artists, so that just makes me look at everything slightly different. I listened to different music; I dressed differently. So I kind of grew up without following the pack.
I'm not going to normally get hired to play those emotional things, and I'm capable of it. I was raised by a single mother in Iowa - I'm just trapped in a big, dumb body.
You get a lot of respect for 'Game of Thrones,' and it was a lot of fun to play, but it didn't help my career a lot because Khal Drago doesn't even speak English.