I've been singing since I was born. It's something I do everywhere I go. In the shower, walking down the street. I don't need any impetus to do it. I just sing.

My story is so boring: Long Island Jewish parents take their daughters to Broadway.

Being a role model is about being true to myself.

I used to take 40 minutes to warm up before going on stage. If you want to spend time with your child as well as having a career, you have to get up there even if your head's a mess. It's made me more relaxed, and I'm having some of my best shows.

Believe me, I don't take that lightly. To have struck gold twice with 'Rent' and 'Wicked.' I know it's rare and I'm very lucky to have that kind of phenomenon in my life. They're not just great shows, they're shows that resonate with young audiences.

I have the potential to be very strong and powerful, sometimes angry, sometimes passionate. I also can be shy and withhold that because I am afraid. I don't want to freak anybody out with my passion... So I struggle with that all the time.

As much as I appreciate people putting me in the category of these very acrobatic belters, I feel like my strength is my... interpretation and my truthfulness with songs, and I don't want young people to think it's all about the high notes that they have to hit.

Barbra Streisand, for one, is one of my idols. I've listened to her since I was a little kid - the first album I ever bought was 'A Star is Born' with Kris Kristofferson.

I'm a mom - I'm lucky if I get to shower in the morning. Luckily, nail polish stays on my toes. I've been so bad on the upkeep, though.

I set the bar high because I don't want to do just any other show just to keep working. I want to do something special that means something to people and speaks to them. Those kinds of opportunities don't come along all the time!

As I get older, I realize all I've done is sing and act and hone those skills.

I will never leave the theater. My heart is there and I love being on stage eight times a week.

I would love to work with Matt Damon.

My favorite thing of all time is a New York City weekend when there's a blizzard. Everything gets really quiet, and everyone goes to the movies and the park.

I made a good living for a teenager. And I had to learn all different kinds of music - jazz, swing, Motown, pop - and that inspired what kind of music I started to write.

Along with enough sleep and taking proper supplements, I steam - in my steam shower. I find it's very healing, more than just your typical 'tea and honey.'

I always use my husband's cocoa butter stuff. He has amazing skin!

I know I'm known for singing some of those high notes, but that's really not what giving someone goosebumps is all about. It's about really trying to find what makes you unique.

With young people, I always say, 'You're not doing anyone any favours by withholding your power.' As women, we do that a lot because we are afraid of being misunderstood or perceived as too strong. But the older I'm getting, the more I realise you have to let that go.

The cool thing is that, unlike film, the theatre roles for women get better and better as you get older.

I keep saying, the older I get, the younger my audience gets. Because 'Wicked' and 'Rent' and 'Glee,' each one was a young audience, so it's a great thing to have, so then you know that as they get older and have kids, they'll maybe still buy tickets to my shows when I'm 80 and in Vegas!

For me, 'Rent' was all about coming out of myself, finding out who I was, learning the power I could have as a performer.

'Frozen' definitely isn't about a man, but about the relationship between two sisters. At different times in our lives we find ourselves either more connected to or disconnected from the people in our family, and I think audiences will really be able to relate to that.

The most successful people are so original.

The intensity of being in front of all these incredible musicians and tremendous conductors in these elaborate halls can be overwhelming.

My husband and I grew up with parents who supported our passion, and we're grateful to them for that. It really helps you find your identity when you're younger. It helps you become a really well-rounded person, the more you can show from different perspectives. The arts show us empathy, which is so important.

I feel like I was born to do this... I started working professionally as soon as I could, doing weddings and things like that in high school, while everyone else was having keg parties. I just felt destined to do it and really committed and driven; it was something that just felt right all my life.

Usually I'm pretty myopic. It's hard for me to multi-task, so to speak. If I'm in a show and I'm creating a character, I'm just completely into that. It's really hard for me to do anything else like write music. I have to sort of shut down different sides of my head and just focus.

There has to be a balance between power and vulnerability. That's something I feel I have in my own life, something I struggle with and - on a good day - like about myself.

If I want to tuck my son into bed and read him a story, but that means I have to take a red-eye to get to a concert - which I would never think of doing otherwise - that's just the way it is. Even if I can't hit the note that night, I got to tuck my child in!

I just enjoy being onstage and relating to the audience.

Everything's always about being homogenized and following in a group. The people who stand out always have the most problems.

It's hard to absorb and to allow all that attention and accolades for 'Rent' because the rest of the country doesn't know who we are. Once I walk out of the door of 'Rent,' and I'm on the subway, it doesn't matter. It's an exaggerated sense of fame.

That experience with 'Rent' went by so fast. I was younger. I didn't even really know what opening night was. And now I'm thinking back on the times I went to Broadway as a kid and the excitement I felt... And I'm realizing that I'm actually a part of that, so I'm learning to take it in, 'cause so often I shrug it away.

When I lived in London when I did 'Wicked' there, everyone told me the audiences might be much more reserved, but I found it was completely the opposite. They jumped to their feet sooner, even more enthusiastically than the New York audiences did, and they were just as warm and as enthusiastic and supportive as New York.

I started working professionally as soon as I could, doing weddings and things like that in high school, while everyone else was having keg parties. I just felt destined to do it and really committed and driven; it was something that just felt right all my life.

As a mom, I don't have much time for beauty.

They're always so serious, the orchestras, you know? It's always a fun contrast of that song and the genre of music. And me.

I would like to get another job in London or tour there. I miss my friends.

I'm a decent tennis player. Good backhand.

I'd love to open a camp focusing on the arts accessible to kids from all income brackets.

My younger sister had kids before I did, and managed to earn a master's degree while raising them as a single parent. Now she's a brilliant second-grade teacher. I'm in awe of her ability to juggle everything and still be a great mother.

The first album I ever owned was 'A Star is Born.'

Everybody thinks it's going to be so glamorous, so cool, you're on 'Glee,' you know, a hit show or whatever.

My biggest project right now is trying to be a really great mom and learning how to balance family and career. I'm just trying to spend as much time with my family as I can.

I'd been a wedding singer through college, but after a few years of doing my best renditions of jazz standards to clinking glasses and the sound of forks on salad, I thought, 'Oh God, if this is all I do, I'll never be able to live with myself.'

People have these incredible expectations. So instead of being inspired by, say, Joni Mitchell's music, I look at it and say to myself, 'I'm going to quit - why would I think of writing or performing after listening to that?'

It's been a dream of mine to run my own summer camp. I went to one as a kid, and I put on productions, and got lots of confidence.

Motherhood has helped me to stop overanalyzing things. It's been liberating because I used to be somewhat neurotic. I attribute that to having something bigger than myself.

I think that if you're doing a new musical, you want to have the opportunity to experiment and try things without the whole city of critics looking over your shoulder.