I would say doing film is all about trust and conviction. It's about believing in an idea.

It's tough to say where I live. There are some bills that get to the house in L.A., some to the house in Mexico, and some to the house of my father - so I never lose track of those.

We should be talking about celebrating our differences, understanding that those differences make us richer and stronger.

As producers, we choose who to work with and what films to get involved with. There's no rule, but it has to come from an honest place. It has to come from a necessity.

What we have in Mexico and Latin America is a wide diversity of voices, but in Mexico, for example, we haven't been able to get a lot of the movies into theaters.

Sadly, there are a lot of ignorant people that have access to a microphone.

I hope we see more stories where the heroes are real heroes, real people that don't need weapons or super powers to change people's lives.

I was raised an orphan... My mother died when I was 2 years old.

When I was a teenager, I went on an organised three-day tour of Rome. It was the worst experience ever. I promised myself that I would never travel like that again, with someone telling you what to see and what not to see.

You exorcise the things that haunt you. That's one good thing about any artistic discipline.

Every time I come to the States, I wish people would react to war like they react to tobacco, for example. Because war really kills in a second lots of people, thousands of people.

I saw 'A New Hope' on my Vidamax because I came a little late to the party.

Many of my favourite hotels are in London. I like the Covent Garden Hotel and I stayed at Blakes last time I was in London. I like the feeling of warmth and homeliness that you get from both of those places.

The first time I heard the Mars Volta, I had a feeling I was experiencing something that people must have felt when they first heard Led Zeppelin. They have the same kind of power.

When I saw 'Incendios,' it changed the way I looked at my life... and my family. It was very strong. I believe that theater has that power.

The first fight I ever saw live was the first Castillo-Corrales match in Las Vegas in 2005.

My father became completely responsible for my education and for raising me.

When I was a kid, if I liked something from merchandising, I'd have to go to the toy store.

For me, the relationship with my father is the most important thing that I have.

I was the happiest kid ever, but I did choose to live around adults and today, now that I have a kid, I don't know if I would let him do it.

When I was 12, I used to be the best friend of the most beautiful girls, but just the best friend. They would always come to me to cry about a guy who broke their heart, and I would just be sitting there thinking, 'I wish I was the guy and not the best friend.'

There's a big debate in the U.S. about immigration reform. We need to reflect on who's feeding this country today, why this community has been ignored.

Julio Cesar Chavez is the most important sporting figure we have ever had.

My dad was a theater designer, and I spent a lot of time hanging around the dressing room listening to whatever the actors were listening to, which is where I heard Pink Floyd for the first time.

I'm always going to be working on my English, and I'm always going to work on my English so that I can do different characters from different nationalities.

When I was growing up in the theater there were all these amazing girls telling me about the guy who broke their heart. And I was always wishing that it was me.

I don't have this feeling like, 'Oh, I want to live in the United States and make movies and become famous just because the money is here.' I like to make movies that tell stories that I care about.

I've got two young children, so holidays are not the same as they used to be. There are now two types: family holidays and holidays you need from that holiday.

I think film is a world of directors. Theater is a world of actors.

I hate fights. I try to talk people out of fighting if I can and if they start I run away.

With many things in life, you're there because there's a cute girl around that you want to go out with, and you end up finding magic. You end up not caring about the girl but wanting to stay there because of what you found. That happened with 'Amarcord' to me.

I grew up watching cinema in my country that wasn't telling stories about us, and we had to find a way to connect, and our references, our role models had nothing to do with us. And I'm so glad that it's changing.

We consumers have to send a message every day of what we want and what we don't.

Most people are living a life they don't like. They go to work where they don't want to work.

I would pretty much like to forget the music that happened to me between the ages of eight and 11, so I'm going to say the first album I bought was the special edition of 'Dark Side of the Moon.'

In a movie, you work three months to tell a story that happens in two hours. In a Mexican soap opera, you work one day to make a story that's an hour and a half. So you can see the difference in the quality of the project.

I wasn't a fan of boxing, I was a fan of Julio Cesar Chavez. All of Mexico stopped to watch his fights. Old, young, left, right and centre.

Becoming a father is the biggest change you go through in life - at least that I've gone through in life.

I think film can change lives. Doing 'Milk' changed mine, for sure. When I see that someone like Harvey Milk changed his life and the lives of many others in just eight years, I feel powerful. I go out of the cinema saying, 'Maybe there's something I can do, too.'

Everywhere you look, especially on TV, someone is promising to make you rich and famous.

I can sing 'Love Me Do,' very well.

You have to accept who you are in order to make someone happy and be happy.

You don't want everyone to know everything about you.

I don't want to do a history lesson. I don't think cinema should be about that. Cinema should be about emotions.

I wish parents at the end would think a little bit about how everything we do affects the lives of our kids and defines who they're going to be.

I was six when I started working in theater. I chose to be an adult before I should be.

My father had to play the role of mother and father.

I always wanted to be a futbol player, but I was never good enough.

Acting is therapy. It keeps you in contact with your feelings.

I always thought of documentaries as films through which you find your voice as a narrator.