I'm a bit of a strange human being - I love to work. I love art. I love self-expression.

I actually went back and watched all of 'True Detective''s Season One again, which I think is a true masterpiece.

If you are misunderstood, I want you to know that I feel the same way.

It's, like, weird to watch a human being develop.

I would like to see sexiness sort of embodied in people's real bodies, as opposed to those bodies that are just full of narcissism.

If acting has any meaning, it is so that we can have greater empathy for other people.

When I got to be, like, in high school and stuff, I sort of was drawn to that feeling of feeling uncomfortable in my skin and being confused by human beings, like, just constantly confused.

I'm very interested in the drama of the leading man being someone who is incapable, becoming capable.

I love all kinds of stuff. I really am so eclectic in my taste. I love film noir, I love thrillers, and I love big blockbuster popcorn cinema stuff, but I like it when it's twinged with a bit more social consciousness.

I think I'm very hard on myself. I think I've always been very hard on myself since I was a kid.

I was very resistant to my intellectualism for a while. I do start with an intellectual idea for a character. A lot of the times, it'll be the opposite of what I feel like is on the page, or it'll be just an idea that I read in a psychology textbook or in a philosophy book. I'll apply something to it that I can start to tinker with.

My natural state is a state of an explorer - a performer, but someone who wants to explore their experience and reflect on their experience more than just lie on the beach. Even when I go on vacations, I get stressed out if I'm at the beach for, like, two days. I'm like, 'Can't we do something? I can't just sit there.'

The more I work in the film business, the more I see that those guys, the directors, have the most fun on set.

I love to watch human beings figuring out their limitations.

Never take advice, including this.

I'm a big fan of public trust.

My parents are very proud of my success but still worry, as I'm in a profession where there is no guarantee of work. They have always supported my decision to go into acting, but there have been tough times work-wise.

I'm a nut for these 'crime reality' shows. Things like 'Forensic Files,' 'Forensic Detectives.'

I was in a number of school plays, one in particular, when I was 13 or 14, entitled 'Illusions.' It was put together by one of the teachers, and was about famous historical figures. I had to do the Martin Luther King 'I have a dream' speech, and some black women in the audience were clapping and crying and whooping.

'12 Angry Men' has a truly great collection of actors giving fantastic performances. It's an acting masterclass.

Without a doubt, the majority of historical period dramas tend to be told from a certain perspective. At least in America, black people have some visibility in period dramas, although it's usually in the form of slaves or servitude.

At school, I was the classroom clown - I was always being thrown out for being naughty. Before I left, a teacher called me in and suggested I became an actor.

Everybody can, you know, go online, read about something, and have an opinion about something.

For the charities, their relationships with celebrity supporters should be as deep and purposeful as the ones they have with any of their supporters and volunteers, based on a genuine understanding of the issues they're tackling.

I didn't go abroad until quite late. A friend drove us to Amalfi, Italy, for his sister's wedding when I was a teenager. It was exciting driving through Europe.

If people of colour do not exercise their democratic right to vote, they will remain an invisible, voiceless, and largely ignored part of the electorate.

As an ambassador for the aid agency Cafod and the Anthony Nolan Trust, I need to be sure that my public support for those charities is a help for their work, not a hindrance.

There was the 'Cosby Show' in America in the 1980s, which was a doctor in a beautiful Brownstone middle-class house. We just haven't created a role like that in the U.K.; it's always gangs and crime. We need to be brave.

I grew up in Birmingham, but my parents are originally from Barbados. My dad, Romeo, was a long-distance lorry driver, and my mother, Mayleen, worked in catering.

As an actor, whether I'm playing Othello on stage or David Estes on 'Homeland,' that ability to give into your imagination is something that I enjoy.

When I was sent the script for 'Homeland,' I didn't think anything of it. Three months later, my manager rang and said: 'They are interested in you.' I read it and I realised, 'Yes, I do want this.' Then I got an email saying I'd got it.

We live on a planet of limited resources - an abstract notion for some of the world's population, but for many of the poorest and most vulnerable, those limits are all too real.

On the red carpet, one tip is to suck in your cheekbones - apparently it looks better on camera. I don't know, though; I think a nice smile is best.

For all its problems, I found South Africa a beautiful country, interesting and inspiring.

I try to ensure my daughters are not spoilt. They are very aware of how lucky they are and appreciate it. We have had some lean years, so they know it's not all about luxury, travel, and hotels. They are grounded, and I'm grateful for that.

When I was in South Africa, I went for dinner with some friends, and I knew more about their history than they did - it just hasn't been told.

Working with Olivia Colman has probably been the highlight of my career so far.

There are structural problems within the industry that are preventing us from displaying aspirational black roles.

We all know the wonders of Skype, but there's nothing like getting a hug from your daughters or taking them to school.

British people are surprised that I'm British! It's extraordinary, I get tweets every day from British people saying, 'I had no idea you were British.'

Everyone wants to be James Bond, and there's a queue of guys ahead of me - but I will throw my hat into the ring. Bond is such an iconic role, you would have to seriously think how to approach it.

I love New York. New York is busy. It's dirty. It's smelly. I'm a real urban animal: I love cities. I like being in the middle of it all.

Let's just say I like acting, but not necessarily all the stuff that comes with it.

Myself, I believe that black theatre continues to evolve, and the success of writers like Bola Agbaje and Rachel De-lahay is proof that fresh voices continue to emerge.

I always tell younger actors that if they want to learn the ropes, there's no better place to do it than right here in the U.K.

If people see that I'm fully committed to my chosen charities and fully engaged in their issues, maybe they'll click a link to find out more.

It's pretty hard to stand in the queue auditioning to play a gynaecologist on 'Holby City' when you've just played Mandela. You think, 'Actually, I want to challenge myself.'

I started reading DC stuff much later in my life. You realize that there's a huge difference between the Marvel universe and the DC universe and the characters that own it.

I'd love to talk with Martin Luther King, just to hear his voice up close and be with someone who had such faith. He had such power.

When there is enough food to feed everyone, why are 870 million people going hungry? We must learn to share what we have; no one race or nation has a greater right to life than another.