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More is asked of you on stage. It's no way to make a living. But it's like a bullfight. You find out who can do it and who can't.
The great thing for me about 'The Resurrection of Gavin Stone' is it's a throwback to the old fashioned Hollywood movie that you can watch with your family, has a message, and is funny and entertaining. They didn't call them faith-based movies; they just called them good movies.
I have never been one of those actors who say, 'Oh, my character wouldn't do this,' or 'My character never wears an orange shirt,' or any of the number of inane things I've heard on movie sets throughout my career.
I'm a sucker for doing something fun. If somebody wants to pay me to learn how to fly a plane or be a better golfer, that certainly would be a plus - or if it's filming in Tahiti.
A producer wouldn't think of making a film about ballet dancers without using real dancers, but they will cast actors who have never held a bat in baseball films.
I was taking hitting clinics every chance I got. I really worked on it. It was just fun to be given that invitation from the director to make the baseball as good as we can.
I felt like the world of baseball in 1919 was much closer to what A-ball would be now - guys riding buses, there's no training staff, and there's a lot of paranoia.
In A-ball, you're either going to move up, or you're going to get released. That kind of paranoia played a lot into the players' mentality leading up to the events of 'Eight Men Out.'
I think it's particularly stupid that filmmakers have traditionally said, 'Yeah, I like baseball, but the movie's not going to be about the intricacies of the game.' I mean, you wouldn't cast an overweight guy with stubble if you were doing a ballet film.
When you're 47 years old and playing at a world-class level in the fastest sport, and you have zero percent body fat, you need to be brought down a peg as often as possible.
On a movie set, there's so much down time, adjusting the lighting. It gave me time to nap, call my friends, relax, work out. But with TV, there's no break time. None.
When you play on a team, you learn that there will always be five guys you like, a bunch of guys who are OK, and five you despise. The trick to getting along in any system is not to worry about the five you despise.
I had heard that Robert Duvall was interested in doing 'Lonesome Dove,' and he's one of those actors with whom I'd work on any project. So I tracked down the script and started to bug the producer, Dyson Lovell, to get in there.
Continue to do common things in an uncommon way. Continue to be 'all in.' Continue to apply 'best is the standard.' Continue to be a person of excellence in everything you do.
You better have an anchor in life. It doesn't matter if you're a Division I head football coach or Joe Schmo from Okemoh. Bad things happen. If you're not anchored, you're going to be washed away.
There's a lot of good police officers. There's thousands of perfect traffic stops. Lot of good men. Lot of good women. But those don't get the stories.
A lot of these things in this world were only a dream for Martin Luther King. Not a one-term, but a two-term African-American president. And this is a terrible country? That was a dream for Martin Luther King.