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I've been lucky to be surrounded by some good hockey minds.
You look at all the elite players around the League, the guys that are responsible defensively, the guys that can score at will, they kind of do it all.
I know a girl who cries when she practices violin because each note sounds so pure it just cuts into her, and then the melody comes pouring out her eyes. Now, to me, everything else just sounds like a lie.
I'll never understand how destroying families through deportation benefits our society. How we treat the undocumented says a great deal about us as a people and whether or not we'll continue to fulfill the fundamental American promise of equality and opportunity for all.
Now I believe that lovers should be draped in flowers and laid entwined together on a bed of clover and left there to sleep, left there to dream of their happiness.
I think that, with anything creative, you should have the freedom to experiment, and that experimentation means not feeling totally responsible for how other people perceive it.
On every Bright Eyes record, there's some kind of sound collage that begins it. Some of them have dialogue, some don't. I like it because it can kind of slow down the attention span a bit. It's a way to draw you in to the rest of the record.
I think there are some songs that stand the test of time better than others for sure. I think some songs go out of favour; I'll get sick of a song for a while, and I won't play it; then it'll make a comeback.
Art is basically communication, and I think everyone who's a music lover has had that experience where a record or a recording has kept you company when no one else is around. And I think that is what I'm hoping that people get out of my music.
I have a lot of friends that take that position of extreme cynicism, and I just can't let myself go to that place. It's just too easy, and it's just too defeatist.
Once you realize that everyone is in the same boat, that everyone is just as insecure and childlike as everyone else, that all these jokers in D.C. ruining our world are just greedy kids grabbing for marbles - I think that realization means you're an adult.
The first music I ever got into was the '80s alternative bands that my brother listened to, like The Cure and The Smiths and R.E.M. and Fugazi. I can remember specifically saying The Cure was my favorite band back in second grade.
I try to keep the idea that there's an audience in as little space in my mind as possible, but you can't erase it entirely, the idea that when you're sitting down to write a song, people are going to hear it.
The one recurring theme in my writing, and in my life in general, is confusion. The fact that anytime you think you really know something, you're going to find out you're wrong - that is the rule. The moments where you think you have something figured out, those are the exceptions.
I've always been slightly preoccupied with death or whatever those kind of silly big questions people will tell you to not spend your time worrying about.
Although Omaha is my birthplace and the place I grew up, I don't see myself spending extended amounts of time there. I feel almost more comfortable and more at peace in New York.