I usually get approached by older white ladies of a certain class, with their pearls and, you know, their Talbots on and everything, and they're like, 'We just have to say, we know we're not your demographic, but we love Paper Boi; we really love this show, and we love what you're doing.' It's totally cool.
I think that's the best thing about being black is that we find a way to make our own communities and always give room for people to pull up to our tables. We always provide a way for other people from different walks of life to come into the communities that we have built because we're so used to being excluded.
'Atlanta' is really trying to put that out there: these are just the lives of these people in this city, and this city is its own breathing, living thing, too. So how do you navigate through life, especially with dreams and aspirations in a world that tells you that you don't deserve to have them.
I am sort of proud that I think radio has become a dominant influence in shaping public opinion. Good radio paints the picture for the audience. The audience has to be actively involved. Sometimes, in television, you can get lulled into sleep watching the picture, not listening to what you're hearing.
I think there's something remarkable happening here that nobody is talking about. They're skirting the issue. For the longest time, the Republican Party has told us that they can't win with just Republican votes. And that's why they support amnesty. That's why they support the Democrats on many of their issues to go out and get Hispanics or other minorities.
How many migrants, how many immigrants, how many migrants and refugees fleeing war-torn areas in the Middle East are permitted into the Vatican? I'm not kidding. I think I saw a story where they're going to take ... two. It's obviously symbolic. They will take two at the Vatican, thereby setting an example and showing how it's done.