It's the classic thing - children's TV gets watched by everybody, not just children. 'Horrible Histories' is the sort of thing everyone watches.

Ricky Gervais has jokes about people with disabilities, but do I think that's a healthy thing? Yes, I really do, because he's chosen his targets very carefully, and he's thought about what he's doing.

'Death In Paradise' is my dream job - a fascinating character, great scripts, superb cast, and shooting in the Caribbean with French catering.

I'm afraid I'm very optimistic - and moralistic.

For me, one of the things art has to examine is how to live your life, and unless it's doing that, it doesn't work for me.

My success at living a moral life is pretty terrible, but I still aspire to do it! I identify with the Johnny Cash thing that trying to live a good life and be a good person are not necessarily the same thing!

I get frustrated with films that entertain me but ultimately dodge a moral question about how you should try and live.

You can certainly extend your adolescence. There's people that are very good at extending it indefinitely.

I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.

I think now there's much more of a confessional culture. That's not my bag. I come from a slightly older school of thought: 'give 'em nothin.' You don't plead guilty.

There's very little different between the way the government operates in America and the way criminals do.

As an outsider in America, you do see the kind of hypocrisy that's rampant there.

I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.

At 15 I had moved out of my parents' place, and my options were looking pretty narrow. But I had this acting thing and I just wanted to be able to keep going because it was really good. That was all I wanted.

Acting is a bit of a heart and soul exercise with me. It's kind of all I've got.

The people I've encountered who are really dangerous in my life don't go around with their fangs drawn - they are dangerous because of the way they interpret what's going on.

One of the things that I found very confronting in my early working life was that people thought I was some sensitive doe-eyed lovelorn boy, because they'd seen me do that a couple of times. What tends to happen is you get a run of similar roles.

I've spent various periods of my career being thought of as various things, various degrees of substance and ideas.

I basically sat around unemployed in Sydney for three years straight, and the two things that saved me were the rugby league and my dog.

I remember 'The Yearling' was the first film I ever saw, and my mom told me I cried for about four or five days afterwards. I'd be going along during the day and suddenly start crying over what had happened to the little deer.

I never felt like someone who was boyish and coming to terms with asking girls out or anything like that, which was what 'The Big Steal' and 'Spotswood' were about. But I guess that's the impression I left on people.

In a very real sense, all you do when you're shooting film or television is you shoot a scene, and then you shoot another scene, and then you shoot another scene.

Once upon a time, they thought I was a sweet, wide-eyed boy that was just trying to figure out how to kiss the girl. Lots of comic relief and adolescent yearnings.

Before 'Animal Kingdom,' I wasn't particularly thought of in villainous roles.

It's got a lot more room for nuance and an assumption that people have started from the beginning. 'Bloodline' ends up being like a really good novel.

The thing about home is that it's a tough place to sustain a career, just by dent of the size of the place. I had about as good a run there as anybody, but it's still a tough ask. I mean, the person I think with the best career in Australia is Ray Meagher, in 'Home and Away.'

It's a tougher gig than what people think it is. The proper, real, genuine, worldwide movie stars don't get a lot of downtime from the world outside. That's a tougher price, I think, than what people's fantasy of fame account for.

It would be excellent to do a 'Star Wars.'

I think I've benefited from not being hugely known. It means I have to do something really effective to be noticed.

I don't believe in the transformation myth, where if you have more success, life changes for you.

The people that impress me are Bob Dylan. The ones who keep working, year in and year out, and keep coming up with stuff.

The thing about acting is you have to wait to be asked to the dance.

I'm very cagey by nature.

The very rough story is this: Melbourne boy, out of both my parents' houses at a young age, lived with my grandmother, drama teacher twisted me into doing this TV thing that I thought my mates were doing, too.

Fifteen years old, out in the world, acting was all I had.

I don't know that it exists, the perfect family. It's always complicated.

I was with my grandmother, while one of my brothers lived with my dad, and one lived with my mom. It wasn't a great situation. Acting was the one good thing I was involved in.

'Star Wars' is populated by so many great types; who wouldn't want to be a Han Solo kind of dude?

I don't have memorabilia but try to take a bit of wardrobe, usually because they dress me better than I dress myself.

I got the first job and kept going. Once I got a job, I very much wanted to keep getting jobs, basically. I did try to learn what I could in those first couple of decades.

'Animal Kingdom' is a lot of things, but it's not heartwarming.

I had a pretty good career at home. What keeps you going is not having a plan B. It's a very good thing. I think if I had a viable plan B, I might not have kept going.

For mine, the villains of the piece were always important. In a traditional sense, that's always an important role.

If you're going to be a father and whatnot, yeah, you better be responsible about it as best you can.

I got a good-enough adolescence. I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.

I suspect, for a lot of people who become actors, there's a feeling of wanting to be someone other than who they actually are.

I wanted to keep working because work was essentially fantastic - you got to be around people, you got to be in a family, and that family changed from job to job. It was like being in the circus.

When you're a young boy, you're looking at older men for role modelling. Before I loved De Niro, I loved Clint Eastwood; I loved John Wayne. And James Bond.

If you've been working since you were a teenager and working at a reasonably decent level, then you don't expect that you're going to be firmly in your 40s and start moving up in the world, if you like.

'Animal Kingdom' is a significant comet, and it's cast a tail. It's very hard to see anything post that happening without that.