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I was born in 1954. My parents were brought up in the war years, and life was hard.
You just decide what your values are in life and what you are going to do, and then you feel like you count, and that makes life worth living. It makes my life meaningful.
Our ancestors are totally essential to our every waking moment, although most of us don't even have the faintest idea about their lives, their trials, their hardships or challenges.
I'm from a working-class background, and I've experienced that worry of not having a job next week because the unions are going on strike. I know that because I don't come from a wealthy background.
The dynamic between two individuals starts off with everything warm and nice and fabulous and good. Working and living together can serve you quite well, but when it starts to go wrong - oh, boy!
I've never been a social person. When I grew up, the other girls would all be combing their hair and exchanging lipstick, and I just couldn't do that group thing.
My issue with the state of women became incredibly stimulated when I was visiting developing countries and it became obvious that women bore the brunt of so many things in society.
Having children, they're not your property. They need to figure out their own views. I think my daughters have a pretty healthy self-awareness, but I can't speak on their behalf.
My dad was always taking photos of us at home, and even on set - he'd bring us along and stick us in the photos in the background. It was almost the beginning of acting for me, like, 'Hey, you go over there and play basketball in the background, and don't even think about the camera.'
Most actors nowadays are models turned actors. That's why a lot of young actors are terrible. You have to learn how to act. It is not something that you can just do.
I think it's important I stay connected to every part of my personality. I play basketball. I rock climb. I paint. I'm a little bit scattered, but it's so I can convincingly play all these characters.
I think that most people who are just artists, who are getting famous, would trade a lot of their fame back for some normalcy, pretty much immediately.
I want to encourage people. One of the things I do encourage people is that - that Internet is a place where we should share our ideas and be positive, not negative.
I'm looking forward to, as an actor, having to do some stuff that's out of my comfort zone. It makes for interesting work and when you're uncomfortable doing something; then it's going to be interesting when they film it.
I like romantic dates - going on a long walk in Central Park and then taking the subway downtown and going out to eat and ordering oysters. After that, you walk around again and talk.
Technology moves so fast and social media moves so fast because everyone wants the new thing, but also, everyone wants to be where their parents are not. Once the mom got a Facebook and a Twitter and an Instagram, I don't want to be there anymore.
I love when a girl is like, 'I can't hang out. I have to go to class.' And I go pick her up, and she's all sweaty in a leotard with her hair in a bun. That's the hottest thing ever.
The first movie I ever cried at was when I was 10 years old and saw 'The Notebook' in theaters. I was like, 'Whoa, so weird. Crying at a movie? I'm not supposed to do that. So weird.' I didn't know that art could make you do that.
Just because you live 20 years or 100 years doesn't make it less meaningful. They're both short amount of times. So all we can do is just live in that time, whatever time we're given.
You know what I'm realizing? I always love a place if I like the movie I'm doing there. I've heard people say, 'I hate Pittsburgh,' and I'm like, 'I love Pittsburgh so much!' I loved what I was doing there, and I loved Austin for the same reason.