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My mother is a professor of early childhood education. When I was two she would say she knew I was going to be an actor.
Clean water is only as far away as the nearest tap, and there are taps everywhere. There's a faucet everywhere. But the reality is, the water in our toilets is cleaner than the water that most people are drinking.
The thing that I like about Germany is that Germans are so much like us. It's not like going to some other countries, where the differences are overwhelming and you walk around in a fog. Germans are so similar to Americans.
The whole thrust of theatre is different, just because the writing is so much more respected in a play. Whereas in movies - and having been the writer, I can say from experience - the writer is lower down on the food chain.
There are people who just collect a bunch of footage and then edit it later. You definitely feel more protected when a director is moving on when you've actually felt something happen and you know they're watching intently.
I've gotten much better at multi-tasking. It's hard, though. But, writing a script is not totally focused. You're taking little breaks, all the time. If a kid runs in, you give 'em a horsey ride. It's a pretty fluid process.
As for poker, I've stayed away from that, even though when I was in Vegas for Ocean's Eleven, I would get accosted by these guys begging me to play. They just want to take my money. They see me, think 'actor' and see some easy money.
There are people who appear in the magazines and I don't know who they are. I've never seen anything they've done and their careers are over already. They're famous for maybe 10 minutes. Real careers, I think, take a long time to unfold.
And you know, we were talking about American identity, and where we've come from and where we are and where we're headed. We knew that we wanted to have a hopeful ending and we wanted it to be pro-community, and a pro-democracy type of movie.
I can't think of any more important value to instill in our children than the desire to help others. I feel strongly about setting an example for them. Real problems can be solved by the next generation if we instill in them the right values.
I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.
I fell in love with a civilian. Not an actress and not a famous actress at that. Because then the attention doesn't double - it grows exponentially. Because then suddenly everybody wants to be in your bedroom. But I don't really give them anything.
It's usually the exact same three things which are, the Scripts, the Director and the Role those are the three things I look for and really any two of them, If I get two of them that's usually enough, but definitely those are the things I look for.
It's intuitive in terms of when I read a piece of material or I hear about a project. I'm a writer, so I've written movies. I've read at this point thousands and thousands and thousands of screenplays. So if something gets me, then I don't ignore that.
If you are writing a story and trying to draw an audience to come and hear you tell it, it's got to in some way relate to them. Who wants to come and hear about your specific problems? It's not therapy - it's supposed to be a communal piece of entertainment.
When you have a child, your relationship with every child in the world changes. It's like you're in a club you didn't know existed before a child came into your life. I believe you should make the world more beautiful for all children in any way that you can.