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Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
If literature has engaged me as a project, first as a reader, then as a writer, it is as an extension of my sympathies to other selves, other domains, other dreams, other territories.
The fear of becoming old is born of the recognition that one is not living now the life that one wishes. It is equivalent to a sense of abusing the present.
Despite the illusion of giving understanding, what seeing through photographs really invites is an acquisitive relation to the world that nourishes aesthetic awareness and promotes emotional detachment.
It was not a question of knowledge...but of alertness, a fastidious transcription of what could be thought about something, once it swam into the stream of attention.
Collecting expresses a free-floating desire that attaches and re-attaches itself—it is a succession of desires. The true collector is in the grip not of what is collected but of collecting.
What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again.
I can feel Peeta press his forehead into my temple and he asks, 'So now that you've got me, what are you going to do with me?' I turn into him. 'Put you somewhere you can't get hurt.
You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces.
I clench his hands to the point of pain. "Stay with me." His pupils contract to pinpoints, dialate again rapidly, and then return to something resembling normalcy. "Always," he murmurs.
The bird, the pin, the song, the berries, the watch, the cracker, the dress that burst into flames. I am the mockingjay. The one that survived despite the Capitol's plans. The symbol of the rebellion.