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To perform live, to get that thrill of the audience reaction is great. There is no equivalent of watching someone stand up and clap on the Internet.
Any comedic-type person will tell you there's no greater high in the world than someone to laugh at a joke or tell you, 'I haven't laughed so hard' or 'You made my day' with comedy.
I really spent most of my childhood in my bedroom watching Barbra Streisand movies and musicals and making videos. That was kind of where it all started for me. I would go to the beach occasionally.
Music and comedy, musical comedy, specifically, really helped me through my childhood. I felt out of place, I felt lots of adversity, and I felt scared all the time.
I have parents coming to the live show saying that they watch my videos with their kids. I have teachers saying they have used the videos with their students.
People, I think, are more interested in being offended than getting to the heart of a situation. And to go after comedians to me is so counterproductive, because comedy is kind of a medicine.
The way a Dibakar Banerjee conceptualizes a film is different from a David Dhawan! I've worked with both, since as an actor I am just a tool in the director's hands.
I think I'm known mostly for comedy because most of the work I've done is comedy and that is in turn because most of the work that is offered to me is comedy, so I end up doing more comic roles and therefore being known for them.
I don't plan my life or analyse things. Nothing can be predicted about the future, no one can put a finger on what's going to be the next big thing. Why bother?
Though every film teaches me at least three new things, I don't subscribe to doing homework about a character's backstory unless it's a historical role or one that requires training in accent.