I definitely try to eat a healthy diet, but I am the first person to say I love unhealthy food. I would never tell you I don't. I love fried chicken or mac and cheese. Do I order them all the time when I'm out at restaurants? No, though I do have one splurge meal a week.

I love Bridget Fonda.

I have smelled some very famous and undoubtedly sexy boys. And sometimes, as cute as they are, I'd rather have them as a friend - just because of the way they smell!

I've seen 'Silence of the Lambs,' like, fifty or sixty times. That's my favorite movie of all time.

I can never find a movie I want to watch, even though I've got hundreds to choose from.

There are those people that eat to live and those that live to eat. I am of the latter, as many of you already know. To me, eating is an adventure.

I love having wine with my meals. And if I splurge, I'm going to splurge big, because if I deny my cravings, it just ends up backfiring on me, you know?

I am a night owl. I always have been... and I'd like to think I always will be, although surely having children will put a stop to my nightly affairs with myself.

Why does my brain insist on counting the steps every time I walk up a flight of stairs? I just can't help myself. There's something about my mind that always wants to keep counting.

Sometimes, when full and in fear that I will continue to eat unwanted food just because it's staring at me, I will place my napkin over the remaining portion. This is what I frequently refer to as a 'food funeral.'

I started dealing with weapons on the first show I ever did, 'The Inside,' but I didn't really do any physical stuff until 'Alias.'

I love the physicality side of roles, I really do, And when I get to do my own stunts, it's that much cooler. I'll do anything the production safety people will let me.

One of the great things about the sci-fi genre is that you can kind of get away with a bit more when talking politics, making social references or dealing with very hot-button topics because it is sci-fi.

Fight scenes are like learning a dance. You learn it move by move, and then you put it all together and it looks awesome when you edit it together. It's great!

I'd like to do a little bit more adventurous TV. Maybe Showtime or HBO or just a little bit edgier. But I would go back to NBC, CBS, whatever.

I'd like to do a comedy, actually. I think it would be great to do a sitcom or something like that. I'm pretty much open to anything.

I love the action that I'm able to do. I grew up in Maine, outdoors and playing with the boys and shooting skeet. I have my girly side, too. But, I do like playing the strong female roles, especially now with something as simple as Twitter, where you've got young women following you.

I have a lot of Twitter rules. I never swear on Twitter, and if anybody's inappropriate, I block them. I have young followers.

You don't want me to sing. I could do a really bad karaoke scene, if I had to, but I'd probably choose to rap.

When you get to the point where you're established enough that people link you with something, especially being an action hero babe, it's awesome. Because then you can fight the battles and have the crossbows and wrestle with swords and ride the horses because you're already believable; people see you in that genre.

Sci-fi fans are awesome. They're very smart, they like to be involved, they like to ask questions. I've been asked questions I don't even know the answer to. I've never had any aggressive interactions. I've had lovely interactions.

My type is really young, short, athletic, and smart. I know, you want to be with someone who's going to be your friend - yeah, yeah, yeah. I want the Adonis line, the two down the hips to the waist. And a guy has to be able to accept criticism about his clothing. I can be very particular about what I like and don't like.

I'd love to do a movie where I actually get to be kind of quirky and odd and dorky and all that stuff. My parents would like to see some movies where I'm not in peril. They'd appreciate it.

I spend an extraordinary amount of time in my car, so I can justify the expense. That's the only extravagance in my life - it's my car.

I love to personalize things. I love to make things my own. I like to name everything - from cars to iPhones to the socks I just lost.

I've always driven big SUVs. I'm from Maine, and there's a point to driving a big SUV in Maine. I don't really need a 4WD in L.A., but on the 405, people are crazy, and you need a tank. I like the visibility factor.

A man who doesn't detest a bad government is a fool. And if there were such a thing as a good government on earth, it would be a great joy to serve it.

As a man's real power grows and his knowledge widens, ever the way he can follow grows narrower: until at last he chooses nothing,but does only and wholly what he must do...

Anyhow they’re always exceptions. But most women, their only relationship to a man is having. Either owning or being owned.

I have told the story I was asked to tell. I have closed it, as so many stories close, with a joining of two people. What is one man's and one woman's love and desire, against the history of two worlds, the great revolutions of our lifetimes, the hope, the unending cruelty of our species? A little thing. But a key is a little thing, next to the door it opens. If you lose the key, the door may never be unlocked. It is in our bodies that we lose or begin our freedom, in our bodies that we accept or end our slavery. So I wrote this book for my friend, with whom I have lived and will die free.

What good is music? None ... and that is the point. To the world and its states and armies and factories and Leaders, music says, 'You are irrelevant'; and, arrogant and gentle as a god, to the suffering man it says only, 'Listen.' For being saved is not the point. Music saves nothing. Merciful, uncaring, it denies and breaks down all the shelters, the houses men build for themselves, that they may see the sky.

It is hard, I found, to be called traitor. Strange how hard it is, for it's an easy name to call another man.

Men call women faithless, changeable, and though they say it in jealousy of their own ever-threatened sexual honor, there is some truth in it. We can change our life, our being; no matter what our will is, we are changed. As the moon changes yet is one, so we are virgin, wife, mother, grandmother. For all their restlessness, men are who they are; once they put on the man's toga they will not change again; so they make a virtue of that rigidity and resist whatever might soften it and set them free.

Reading is performance. The reader--the child under the blanket with a flashlight, the woman at the kitchen table, the man at the library desk--performs the work. The performance is silent. The readers hear the sounds of the words and the beat of the sentences only in their inner ear. Silent drummers on noiseless drums. An amazing performance in an amazing theater.

It did not matter, after all. He was only one man. One man's fate is not important. "If it is not, what is?" He could not endure those remembered words.

Public speaking is done in the public tongue, the national or tribal language; and the language of our tribe is the men's language. Of course women learn it. We're not dumb. If you can tell Margaret Thatcher from Ronald Reagan, or Indira Gandhi from General Somoza, by anything they say, tell me how. This is a man's world, so it talks a man's language.

But it doesn't take a thousand men to open a door, my lord." "It might to keep it open.

No man, no power, can bind the action of wizardry or still the words of power. For they are the very words of Making, and one who could silence them could unmake the world.

And he began to see the truth, that Ged had neither lost nor won but, naming the shadow of his death with his own name, had made himself whole: a man who, knowing his whole true self, cannot be used or possessed by any power other than himself, and whose life therefore is lived for life's sake and never in the service of ruin, or pain, or hatred, or the dark.

Civilized Man says: I am Self, I am Master, all the rest is other--outside, below, underneath, subservient. I own, I use, I explore, I exploit, I control. What I do is what matters. What I want is what matter is for. I am that I am, and the rest is women & wilderness, to be used as I see fit.

A man wants his virility regarded. A woman wants her femininity appreciated, however indirect and subtle the indications of regard and appreciation. [Here] one is respected and judged only as a human being. It is an appalling experience.

Do you see, Arren, how an act is not, as young men think, like a rock that one picks up and throws, and it hits or misses, and that's the end of it. When that rock is lifted, the earth is lighter; the hand that bears it is heavier. When it is thrown, the circuits of the stars respond, and where it strikes or falls the universe is changed.

Who knows a man's name, holds that man's life in his keeping. Thus to Ged, who had lost faith in himself, Vetch had given him that gift that only a friend can give, the proof of unshaken, unshakeable trust.

A man does not make his destiny: he accepts it or denies it.

In general she had found that the main drawback in being a man was that conversations were less interesting.

I suppose the most important thing, the heaviest single factor in one's life, is whether one's born male or female. In most societies it determines one's expectations, activities, outlook, ethics, manners—almost everything. Vocabulary. Semiotic usages. Clothing. Even food. Women... women tend to eat less... It's extremely hard to separate the innate differences from the learned ones. Even where women participate equally with men in the society, they still after all do all the childbearing, and so most of the child-rearing....

It's not a weapon or a woman can make a man, or magery either, or any power, anything but himself.

It was men's ambitions, they said, that had perverted all the arts to ends of gain.

What's wrong with men?" Tenar inquired cautiously. As cautiously, lowering her voice, Moss replied, "I don't know, my dearie. I've thought on it. Often I've thought on it. The best I can say it is like this. A man's in his skin, see, like a nut in its shell." She held up her long, bent, wet fingers as if holding a walnut. "It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. It's all him and nothing else, inside.

The use of imaginative fiction is to deepen your understanding of your world, and your fellow men, and your own feelings, and your destiny.