Oh my God, nothing compares to the pre-horse show jitters! It's like going on 'American Idol' or 'The Voice' all the time, because you're just going and getting judged for your entire show.

People look up to me, like my music, and even follow me on Instagram because they know I'm keeping it real with them.

I've always wanted to be my own person. Even when I was 'Noah who rode horses,' I wanted to be Noah Cyrus, not anyone else or a family member.

My dad always had me sing alongside him while he played guitar. He taught me how to harmonize to an old song of his, 'Missing You.'

My dad had 'Mad at You' down on the guitar before I even had finished the production on the record... he learned it within, like, five minutes.

I definitely made friends with the people I like to write with, but I'll also write with people I haven't met before or producers I haven't met before because how are you supposed to make those friends without trying?

I didn't want to do anything but ride horses until I was, like, 15.

They say your taste palate changes every seven years, so maybe your personality changes every five, you know?

I obviously want a safe world for everybody if we're getting really deep, but my safe and happy place is always going to be music.

You should always speak up. That's what I like to teach my fans - to be real and speak up for things you're passionate about.

What a lot of the public doesn't know, and I'm sure my fans aren't aware of, orcas have died living at Sea World, and that has not been from old age.

'We Are... ' is all obviously about social media and kind of the insecurities around social media and how people have become addicted to their phones and altered children's minds to what they need to look like, what they need to dress like.

I like writing with people. I think the times that I've closed myself off to not writing with people, I haven't gotten the best product because I haven't had anyone to go back and forth with and really discuss what's going on in my life, what's going on in their life. It's so important to have that connection.

If I could borrow anything from Miley, it would be her stage confidence. For me, that's just going to come with time.

Anything that's really made an impact on my life, I want to get in the studio and write about it.

It's cool to step away for a second and be my own person other than just somebody in a known family.

I'm now able to show who I am as an artist.

I love writing sad songs.

I write about so much personal stuff, it's like reading my diary.

Of course, my sister and my dad, I respect as musicians and look up to them, but people kind of forget that they're my family, so my first reaction isn't always, 'Let me see what my dad and Miley think about this record.'

Everybody thinks that I would go to Miley and my dad for advice, and I get that they're very successful and very big in the music industry, but I look at them as my sister and my dad.

That's my dream - to play Coachella... not as a guest but as me!

Falling in front of an audience - that's, like, my biggest fear.

You should do the sound that you want and not what others want.

Pizza makes me throw up!

I didn't get along with people at school.

It's like I've been in music school my whole life.

My dad is my biggest fan, and so is my mom.

Dads are the best.

My sister Miley really inspires me because she's all about being herself.

When I met Justin Bieber, I could barely speak. I was just going crazy inside.

My dad is my biggest musical inspiration.

Lady Gaga is my big fashion inspiration. I look up to her a lot.

Writing is the best way to get your mind clear. It's also a great way to explain your past or what you hope for the future.

I was on my dad's tour bus when I was super little. My dad did a tour of 'Annie Get Your Gun' when I was really little, and I loved going and seeing him do that.

There were so many nerves with putting out new music.

There's one thing my dad taught me: don't talk about politics, because you'll never make anyone happy. Don't even go for it.

Everybody's like, 'Who hurt you? I'm like, 'The Internet.'

I don't know if I would compare my sound to anyone because I like to think that my music is my music.

I think you've got to be as honest as possible in order to influence someone.

My songwriting is personal in the hope that listeners will know that I relate to them.

I've worked with PETA on freeing elephants from the circus.

Do I have a cold heart? Some say.

I was riding every single day. I home-schooled because of horses.

My music has given me a confidence I wouldn't have had if I had gone a different route.

I've had every colour hair you can think of.

'Fargo' becomes a metaphor for a type of true crime case where truth is stranger than fiction. So, there's no reason that there isn't another 10-hour true crime story that could be told in this region.

'Fargo' is a tragedy with a happy ending. So you need to have that tragic underpinning, that all of this could be avoidable, and that's what makes it tragic. It's about the use of violence, and the fact that the tension in anticipation of violence and the tension in anticipation of a laugh are sort of the same.

There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting.

The most dangerous thing, when you have a serious mental illness, is convincing yourself that you don't have it. And you see it all the time. People get on medication, and they feel better, and they stop taking it. And some flirt with unreality on some levels. But it feels so convincing to them that it feels real.