I think the rejection - if it's taken in the right spirit, it can make you a better person. And I think that is what I've always striven for. If one thing didn't work out, a project or anything, it doesn't mean that I lose my own confidence. In fact, I give myself a lot more confidence and opportunities.
Lyrics came quite easy early on in my career. But I always wanted to push it further and stand out a bit more. We were coming from the garage era when lyrics were simplified, purposefully, to work in the club environment. They were about hyping up a crowd or bigging up a DJ. Moving into grime, our lyrics became more in-depth.
The Wire' was from a police perspective - in terms of the streets and that, it was probably like, thirty per cent. 'Top Boy' is really from the perspective of the quote-unquote criminal. It's getting into the mind of these people and why they do what they do. It's bigger than just 'Woke up and wanted to be bad one day.'
I've got a friend who went to jail in 2004 just before my first album came out. I'm on TV, and they're inside, looking at me like I'm 50 Cent. They think I'm killing it, earning mad dough every day. I'm sending him trainers and that, but it's not enough, because he thinks I should be doing more.
I can't say that I am not driven by success or have a fear of being successful. But for me, the ultimate thing is just about being good at what I do. Because if I made an album that I didn't really like and it was super successful then I wouldn't happy within. That's the kind of person I am.