My dad painted cars for a living. He didn't graduate from high school.

I decided that I wanted to be a lawyer in eighth grade.

I worked starting when I was 14. I was the reservationist at the Elizabeth Howard dinner theater. They had never hired someone in high school, let alone a 14-year-old.

One of the big aha moments is how many large companies still don't use collaboration tools and aren't using digital technologies internally. They're engaging with their customers, but they haven't invested in the infrastructure that allows their employees to telecommute.

You can be in Shanghai on a Thursday, London on Friday, and in bed at home by Friday night.

A comment is no longer a comment. You have to be really careful about what you say and the questions you ask.

Companies, communities and governments have to be innovators, and they cannot do it alone.

Innovation by definition cannot be only internal.

We're living in a world where clients constantly are saying to me, 'The most important thing you can do is to tell me what I need to hear, not what I want to hear.'

When you come in as a new leader it's really important that people do get to know you and that you are constantly communicating.

My younger self was driven by the desire to be extremely successful.

We see our clients saying we want a diverse team and also to attract people particularly the millennials they really care about working in a diverse workplace.

What's important is that you build your company to be able to capture the opportunity as it comes.

Companies that are successful, it starts with the CEO and starts with the CEO's priorities.

We must understand what is on clients' minds and what their needs are, and we must also be close to our teams who are serving our clients. At day's end, it is all about delivering value to our clients as defined by them.

Employees are looking at us to both externally and internally represent the values that are important.

My job as a leader is not to put more stress into a system that is already stressed.

If you don't stay very close to clients and employees you're going to make the wrong decisions.

Diversity, I think, has become a real business imperative at the very top with CEOs who are facing massive disruption.

Often, small things give me hope when big things feel so oppressively bleak.

My harmonies on 'Me & My Dog' are a little extra.

Passivity is a tacit endorsement of evil we are too afraid to oppose actively.

I hate those articles - this is a pet peeve of mine - like move over X, here's the new Y. And it's just like, X didn't become obsolete because there's a person doing a similar thing. You also don't have to be like the new old-thing, you're just the current you-thing.

A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.

The thing that is comforting about being a touring musician is whenever I say bye to my friends, I'm like, 'I don't know when I'll see you again but it'll be sooner than I think and if it's not soon then it won't matter.'

Spotify stresses me the hell out.

I had a hot-pink mohawk in high school, and when I came out everyone was like, 'We don't care.'

It's super cool to me when my manager screencapped Sharon Van Etten saying my album is great on Twitter and I about cried 'cause she's a hero. And that led to... I got to have lunch with her! I got to meet a hero!

I hope we can dismantle the idea that the entire south is sitting on our porches spitting tobacco and hating gay people.

It's not like a choice to have an identity politics discussion when you're living it all the time. And if it's uncomfortable, well then maybe the way that we need to deal with that is by letting things be uncomfortable.

I am voting in the midterm elections because I believe that when people engage with their local government, it reminds those placed in power that they are public servants who will be held accountable for their decisions.

There are people who are explicit and people who are implicit, right? Like I say, 'I think there is a God,' but I've seen Christian metalcore bands do altar calls at their shows and be like, 'Come get saved right now.' I think there's a subtler way, which is to say I'm being honest with my beliefs.

Cameron Esposito is a musician and podcaster from the States and she's hilarious.

Every girl is a singer. I wanted to learn the solos and play lead guitar. I would meticulously teach myself solos so when dudes were like, 'Oh, you're a girl, you can't play guitar,' I could rip these insane Telecaster blues solos and tell them, 'Yeah, I can burn up a fret board.'

When I was in 4th, 5th, and 6th grade, Green Day was my formative entry to punk. I wish I could say I was listening to Minor Threat and Black Flag, but I wasn't. Bay Area punk bands were doing it right.

My dad took me to the skate park every single weekend to see alternative bands.

If I can say so without sounding presumptuous, I want to model women being collaborative instead of competitive.

Many of my songs just come together in quatrains because that's how a hymn goes.

I think it's possible for Tennessee to be flipped to a Democratic majority, which would be beneficial to enacting policies that I would like to see, but beyond party allegiance, we have an opportunity to involve ourselves in change that will empower us not just now but in the future.

I love Hank Williams, he's the original emo kid. Some of his lyrics remind me of, like, Promise Ring lyrics.

Songs like 'Everything To Help You Sleep' or 'Claws in Your Back' took a little bit more grappling with the actual poetry for me to feel comfortable with the song. And there's a little bit more song crafting going on, and I had a specific idea in mind of the imagery I wanted to evoke.

Sometimes you want to complain and be like, 'Why? Life is so horrible.' But it doesn't change that there are redeeming qualities and a universal capacity for redemption and grace. There are still things that make it worth it and bearable.

Writing songs has always been a process where I divulge a lot, just because music is a tool for me to sift through and process intense emotions. But having music be my primary occupation has changed how I interact with art.

I can make a record with six-part string arrangements and the best musicians in the world and have it be not genuine. I'd rather make a genuine record that I truly stand behind and have it fall where it may.

We think empathy is innate, but it's not. It's a muscle you're working.

We always have a great time touring Germany, but one of my favourite museums in the world is Museum Ludwig, an incredible contemporary art museum in Cologne. I could spend all day in it.

Those parts of myself that are too ugly or dangerous are precisely the things I feel convicted to share.

I didn't grow up on country and blues, I was just a kid listening to VH1 and then I realized I needed to expand my musical horizons. Now I have a deep appreciation for southern heritage music.

When I talk about what I'm feeling, I can get outside of it and analyze it. I think that process, especially on 'Sprained Ankle,' happened after it was recorded. All of those songs are just documentations of how I felt at that time. I was writing them because I needed to.

I love 'Exit West' by Mohsin Hamid. It's a magical realism retelling of the refugee experience, where people find these magical doors that transport them to another country.