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I was creating characters early. People didn't beat me up. I scared them. I hated authority. I could also get people to do things; I was quite the early director. I could make people laugh enough to get their defences down - and then brainwash them.
It's still possible to make movies. Not so much on YouTube. On YouTube, you wind up with an advertising career. What movie became infamous and a hit because of YouTube? Maybe there is one. I don't know.
Putting out compilation records, buying the right to music is incredibly complicated. You have to find the writer of the song and the publisher of the song - not the singer - and make two separate deals.
You have to think of a new way to make something new. And the biggest sin - you can never try too hard. You can never look like you're just trying to shock people, 'cause that's simple. But making people laugh is the hard part.
In the beginning, my equipment, I would rent them from teamster-types, really. I don't know where they got the cameras - I think from the TV stations. But I don't know if they asked the TV stations.
Around '62 in Baltimore, all the girls had those big hairdos. And then suddenly, a few of the really hip ones started doing their hair straight. And people panicked. And it was called going 'Joe,' meaning Joe College. And people would say, 'I don't know. Should I be 'Joe'? I can't decide.'
My 40th birthday I held in an old-age home. My 50th I had at Pravda before it opened in New York. My 60th I had at Pastis. For my 70th, I thought, 'I don't need to have a celebrity party this year. I'm going to go take my oldest, closest friends to Paris.'
Underground, raw movies that come out of nowhere and change everything - they aren't slick-looking. But I have nothing against slick-looking as long as the scripts are funny.
I'm thrilled to have a completely new audience that I can get from Court TV, without it being my own trial. That was the only other way I would have gotten it.
They all want you to make a movie for under a million dollars, which I don't want to. I don't want to be a faux radical film-maker at 70. I did that. I don't need to do it again.
As a teenager I was so insecure. I was the type of guy that never fitted in because he never dared to choose. I was convinced I had absolutely no talent at all. For nothing. And that thought took away all my ambition too.
People say I make strange choices, but they're not strange for me. My sickness is that I'm fascinated by human behavior, by what's underneath the surface, by the worlds inside people.
When kids hit one year old, it's like hanging out with a miniature drunk. You have to hold onto them. They bump into things. They laugh and cry. They urinate. They vomit.
If there's any message to my work, it is ultimately that it's OK to be different, that it's good to be different, that we should question ourselves before we pass judgment on someone who looks different, behaves different, talks different, is a different color.
I always wanted to be a character actor rather than the poster boy that they tried to make me 100 years ago. An actor has a degree of responsibility to change for the audience, to give them something new each time, to surprise and not bore them.